H.C. Andersen centret

Andersen, H.C.: "The Bird of Folklore", translated by Jean Hersholt, in The Complete Andersen , I-VI. New York 1949. Cf. AaJ 1286

Ella E. Clark: Among the Coos Indians of the Oregon coast is an old folk tale which has interesting parallels with the Danish folk tale used by Matthew Arnold in his poem "A Forsaken Merman". The Journal of American Folklore, Vol. 62, No. 243 (Jan.-Mar. 1949), pp. 64-65.

(Bibliografisk kilde: HCAH)

Tales of Grimm and Andersen. Selected by FREDERICK JACOBI, Jr. Introduction by W. H. AUDEN. Random House, New York 1952. xxii, 746 pp. - Indledning pp. xiii- xxi. HCA-eventyr pp. 329-746. I serien The Modern Library. - Cf. nr. 229 ovf. - Anm.: Dorothy Mills Howard: Midwest Folklore, Vol. 3, No. 4 (Winter, 1953), pp. 243-249.

(Bibliografisk kilde: HCAH 1954/347)

GALSTER, KJELD, Da H. C. Andersen tog Jylland i besiddelse. Vestjylland og havet. Hardsyssels Aarbog L, pp. 69-89.
Med dagbogsoptegnelser fra rejsen 1859 (i moderniseret ortografi). - Anm.: Erik Dal, Studies in Folklore, Indiana University Press, 1957.

(Bibliografisk kilde: HCAH 1971/520, anm.: 1958/121)

Lederer, Wolfgang, The Kiss of the Snow Queen. Hans Christian Andersen and Man's Redemption by Woman . University of California Press, Berkeley / Los Angeles / London 1986. xiv, 262 pp. - Heri pp. 187-220 The Snow Queen i Jean Hersholts oversættelse (AaJ nr. 1399). - Anm.: Georgina Boyes, Folklore, Vol. 100, No. 1 (1989), p. 127; Pål Bjørby, Scandinavian Studies , 62, 1990, pp. 491-95; Heinrich Detering, Skandinavistik , 21, 1991, pp. 59-61; Betsy Hearne, Library Quarterly, 1988, jan. p. 92; Viggo Hjørnager Pedersen, Anderseniana , 1989, pp. 73-74; Janet Adam Smith, The New York Review of Books , 38:12, 27.6.1991, pp. 26 og 28-31.

(Bibliografisk kilde: HCAH 1987/91)

Grønbech, Bo, Weltbild und Kunst in den Märchen von H. C. Andersen. I: Leander Petzoldt (udg.),Ingo Schneider & Petra Streng (red.) Folk Narrative and World View. Vorträge des 10. Kongresses der Internationalen Gesellschaft für Volkserzählungsforschung (ISFNR), Innsbruck, Teil I. , Frankfurt a.M. 1996. Pp. 219-26. (Beiträge zur Europäischen Ethnologie und Folklore, Reihe b, 7.)

(Bibliografisk kilde: HCAH)

Niels Oxenvad: [H.C. Andersens tegninger] s. 35-47 - til udstillingskatalog In punta di forbici. La tradizione psaligrafica Danese. Roma, Museo del folklore, 25 ottobre-24. novembre '96.

(Bibliografisk kilde: HCAH)

Anita L. Gambos: Children's Folklore Review, vol. 26, 2003-04, pp. 63-76.

(Bibliografisk kilde: HCAH)

Zipes, Jack, Hans Christian Andersen. The Misunderstood Storyteller . Routledge, New York/London 2005. xviii, 171 pp. - Anm.: Frank Hugus, Scandinavian Studies, 78, 2006, pp. 221-24; Maria Kaliambou, Marvels & Tales. Journal of Fairy-Tale Studies, 20, 2006, pp. 272-75; Timothy R. Tangherlini, Journal of Folklore Research, Vol. 43, no. 1 (Jan.-Apr. 2006, pp. 75-77.; Nina Christensen , The Modern Language Review, Vol. 102. No. 3 (Jul. , 2007), pp. 827-28).

(Bibliografisk kilde: HCAH: anm.)

MIHAYLOVA, NADEZDHA (red.), [bulgarsk] / The Unknown Andersen. Department of German and Scandinavian Studies, Faculty of Classic and Modern Philologies, "St. Kliment Ohridski" University of Sofia, Sofia 2008. 430 pp. – Bidrag til international konference afholdt 4.-6. april 2005. – Indhold: [Dimensions in Time and of the Spirit:] SIMON GRABOWSKI, "H.C. Andersen and the Transcending Unity of the Oceanic Life Story", pp. 43-50; *VERA GANCHEVA, "Hans Christian Andersen and His Epoch", pp. 51-70; *BORIS MINKOV, "H.C. Andersen and the Money of the Romanticists", pp. 71-76; *ELIZARIA RUSKOVA, "H.C. Andersen as a Playwright", pp. 77-92; *NADEZHDA MIHAYLOVA, "Andersen the Poet", pp. 93-100; KARL PONTUS LINDGREN, "Andersen and Strindberg – Two Recluses from the North", pp. 101-04; *KINA KUDREVA, "The Phenomenon Andersen", pp. 105-08; *MALINKA DIMITROVA, "Andersen in the Contemporary West European Children's and Youths' Literature", pp. 109-13; *GERGANA APOSTOLOVA, "The End is Not Important", pp. 114-28; *ALBENA IVANONA, "Hans Christian Andersen in the Virtual World", pp. 129-31; ELITSA STOITSOVA, "Hans Christian Andersen and the Free Flow of Fairy Tales", pp. 132-40; *VLADIMIR STARIADEV, "Translating Andersen (a Psycholinguistic Analysis)", pp. 141-44; *ANTONIA BUCHUKOVSKA, "Linguistic Aspects of the Translation of Andersen's Fairy Tales into Bulgarian", pp. 145-49; *TANYA STOYANOVA, "Ran Bossilek and Hans Christian Andersen – Parallels in Life and Creative Dialogue", pp. 150-57; GAYANE ORLOVA, "The Image of H.C. Andersen in the Russian Press and Translations (the End of 19th – the Beginning of 20th Centuries)", pp. 158-63; SVEN HAKON ROSSEL, "Der dänische Märchendichter Hans Christian Andersen und Österreich", pp. 164-67; SARI PÄIVÄRINNE, "Hans Christian Andersen in Finland", pp. 168-76; *KIRYAK TSONEV, "From Shahrazad to the Snow Queen", pp. 177-82. [A Dane and Citizen of the World:] *ERIKA LAZAROVA, "The Traveller H.C. Andersen or the Road as a Metaphor of Life", pp. 185-203; LONE FUNCH KOFOED, "Shadow Pictures from a Journey to Harzen – Truth or Tale", pp. 204-10; ELENA BALZAMO, "H.C. Andersen's Sweden: '… Only the Minarets Are Lacking'", pp. 211-20; *ZDRAVKA HRISTOVA, "The Balkans in H.C. Andersen's Work", pp. 221-30; *BISERA DAKOVA, "The Paradoxical Narrative Perspective in H.C. Andersen's Autobiographical Work 'The Fairy Tale of My Life' (1847)", pp. 231-36; MARGARITA HRISTOVA, "A Glance at Some of the Autobiographic Works of H.C. Andersen", pp. 237-41; *KATYA KUZMOVA-ZOGRAFOVA, "The Image of the Creator between Magic and Illness", pp. 242-51; *ARCHIMANDRITE PAVEL STEFANOV, "H.C. Andersen's Religion", pp. 252-60; *TSVETANKA ELENKOVA, "The Faith in Andersen's Fairy Tales", pp. 261-64; *CLEO PROTOHRISTOVA, "Andersen's Mirrors – Epistemology and Narrativity", pp. 265-73; *ANTONIA GOSPODINOVA, "H.C. Andersen and the Fairy Tale Tradition in Northern Europe", pp. 274-81; *HRISTO STANCHEV, "Mythopoetical Aspects in 'The Little Mermaid' by H.C. Andersen", pp. 282-88; *KRASSIMIR DELCHEV, "'The Little Mermaid' by H.C. Andersen and the Nymphs in the Bulgarian Folklore", pp. 289-98. [Fairy Tales for Young and Adults:] *PETAR HADZHINAKOV, "Hans Christian Andersen – the Philosophy of the Fairy Tale", pp. 301-04; *MARGARITA TERZIEVA, "The Scientific and Technical Achievements in Andersen's Fairy Tales", pp. 305-08; *SVETLANA STOYCHEVA, "Archetypal Relativity and Personalization in Andersen's Fairy Tales", pp. 309-18; *MARGARITA SLAVOVA, "The Magic of the Kiss in the Fairy World of H.C. Andersen", pp. 319-25; *MAYA VUKOVSKA, "Are the Bad Characters in H.C. Andersen's Fairy Tales Really that Bad?", pp. 326-29; *ILIANA BENINA, "The Beautiful in H.C. Andersen's Fairy Tales", pp. 330-36; *NIKOLA BENIN, "The Image of the Death in Andersen's Fairy Tales", pp. 337-44; VLADIMIR NAYDENOV, "Five Fairy Tales by H.C. Andersen in Terms of Vladimir Propp's Morphology of the Genre", pp. 345-54; *ELENA ROUSSINOVA, "H.C. Andersen and the Education", pp. 355-62; *NADEZHDA MADOLEVA, "H.C. Andersen and 'Tiny Flower with Seven Blossoms'. Love and Wisdom, Faith and Hope", pp. 363-71; RALITSA GELEVA-TSVETKOVA, "Illustrations of Andersen's Characters in Book Design and Children's Drawings", pp. 372-77; *ELENA FURNADZHIEVA, "At an H.C. Andersen Birthday Party in Odense", pp. 378-82; VASSIL PENEV, "H.C. Andersen and Denmark between Two Epochs", pp. 383-84. Summaries and Information about the Authors, pp. 385-422. - * betyder: bulgarsk tekst.

Forum for World Literature Studies (Shanghai/Wuhan/West Lafayette), 3, 2011. (Temasektion, “Hans Christian Andersen and the Fairy Tale Studies”: JØRGEN VEISLAND, “ Introduction to Topic on Hans Christian Andersen and the Fairy Tale”, p. 158; BARBARA STAWICKA-PIRECKA, “Lydia Cabrera’s African Fables from Cuba as a Text Theatre”, pp. 159-65; DOLORES BUTTRY, “Treue in Three Tales by the Brothers Grimm”, pp. 166-72; GUDLEIV BOY, “Nation Building and Folklore in Norway 1840-1905”, pp. 173-83; TOM LUNDSKÆR-NIELSEN, “The Language of Andersen’s Early Fairy Tales”, pp. 184-94; HANNA DYMEL-TRZEBIATOWSKA, “Dual or Single Address? Some Reflections on Hans Christian Andersen’s Fairy Tales in Polish Translations”, pp. 195-203; JOHANNES NØRREGAARD FRANDSEN, “The Writer of Tales. Hans Christian Andersen as a Cultural Bridge-Builder”, pp. 204-10; ANNE-MARIE MAI, “‘The Dryad’ by Hans Christian Andersen. A Fairy Tale on Modern Times and The World Exhibition of 1867”, pp. 211-19; JØRGEN VEISLAND, “The End of the Fairy Tale. Hans Christian Andersen’s ‘The Shadow’”, pp. 220-31.) online

(Bibliografisk kilde: HCAH)