H.C. Andersen centret

In: "Aunt Judy's May-Day Volume for Young People". Ed. by Mrs. Alfred Gatty. London, 1869.

(Bibliografisk kilde: Bredsdorff)

Joseph Cornell: In The Tales of Hans Christian Andersen one may take for granted their relationship to ballet .... Excerpts from 'Lucky Peer', 'Festival in Leksand from Pictures of Travel', 'Story of My Life', 'A Poet's Bazaar', 'Only a Fiddler', 'The Dryad'. "Theatre of Hans Christian Andersen". New York, 1945. [pp. 140-159].

(Bibliografisk kilde: HCAH)

Andersen, H.C.: "The Dryad", translated by Jean Hersholt, in The Complete Andersen , I-VI. New York 1949. Cf. AaJ 1286

Hansen, Per Krogh & Marianne Wolff Lundholt (red.), When We Get to the End... Towards a Narratology of the Fairy Tales of Hans Christian Andersen. 2005. 390 pp. (Writings from the Center for Narratological Studies, University of Southern Denmark, 1.) (Bidrag til symposium holdt 15.-17.8.2003. "Introduction", pp. 11-23; Johs. Nørregaard Frandsen, "Opening Address from the Symposium", pp. 25-26; Ansgar Nünning, "Steps towards a Discourse-Oriented Narratology of the Fairy Tale. On the Functions of the Narrator in Hans Christian Andersen's Fairy Tales", pp. 27-51; Jørgen Holmgaard, "Narration and Narrative Techniques in Andersen's Fairy Tales", pp. 53-71; Lars-Åke Skalin, "'Out of the real grows the most wonderful tale': Extra- and Intrafictional Levels in H. C. Andersen's Storytelling", pp. 73-98; Per Krogh Hansen, "A Real Story? On Hans Christian Andersen's Sense of Narrativity and His Double Narratee", pp. 99-118; Gorm Larsen, "The Question of the Addressee and the Structure of Enunciation in Andersen's Tales. Or: Why the Fairy Tales are Not Told for Children", pp. 119-33; Marianne Wolff Lundholt, "Sympathy Structures in the Fairy Tales of Hans Christian Andersen", pp. 135-54; Greger Andersson, "Metanarrative Remarks in the Fairy Tales of Hans Christian Andersen", pp. 155-201; Marion Gymnich, "Possible-Worlds Theory as an Approach to the Dynamics of Hans Christian Andersen's Fairy Tales", pp. 203-18; Jørgen Dines Johansen, "The Split Text. Hybridization and Repetition in Andersen's 'The Dryad' (1868)", pp. 219-47; Johan de Mylius, "Time and Non-Time. On Composition and Decomposition in Hans Christian Andersen's Fairy Tales and Stories", pp. 249-65; Jacob Bøggild, "Arabesque and Allegory in H. C. Andersen's 'The Snow Queen'", pp. 267-82; Vera Nünning, "On the Rhetoric and Ethics of Andersen's Fairy Tales", pp. 283-303; Henrik Lassen, "'... from a Swedish tale by Andersen – '. 'The Little Match Girl' in America and the Topos of the Dying Child", pp. 305-80.)
Read: online

Mylius, Johan de, Aage Jørgensen & Viggo Hjørnager Pedersen (red.), Hans Christian Andersen. Between Children's Literature and Adult Literature. Papers from the Fourth International Hans Christian Andersen Conference 1 to 5 August 2005. Issued by The Hans Christian Andersen Center, University of Southern Denmark, Odense. 2007. 639 s.
(Indhold: [Plenary Lectures:] Carola Scanavino, "Caught Between Heaven and Hell. The Two Faces of Hans Christian Andersen", s. 13-22; Erik M. Christensen, "The Queen and I", s. 23-36; Hans Kuhn, "Andersen's Poems for and about Children", s. 37-51; Johan de Mylius, "Death and The Child", s. 52-70; Kirsten Malmkjær, "The Language that Stayed at Home. Hans Christian Andersen's Ways with Words", s. 71-87; Marianne Stecher-Hansen, "Romantic and Modern Metatexts. Commemorating Andersen and the Self-Referential Text", s. 88-100; Maria-Sabina Draga Alexandru, "'Out of a Swan's Egg'. Metamorphosis in Hans Christian Andersen's Tales and in 'The Fairy Tale of My Life'", s. 101-18; Andrey Korovin, "Chronotope of Hans Christian Andersen's Fairy Tales and Stories", s. 119-30; Martin Lotz, "The Shepherdess and the Chimney Sweep", s. 131-48. [Culture, Travels and Biography:] Hans Christian Andersen, "Hans Christian Andersen Tourist? An Investigation of Etymology, Social History and Ideology", s. 149-65; Annelies van Hees, "Hans Christian Andersen Was No Hypochondriac, He Was Ill", s. 166-73; Nina Hintz, "Hans Christian Andersen's View of the Orient and His Dealing with Otherness", s. 174-88; Lars Bo Jensen, "Children and Moods in Hans Christian Andersen's Travel Books", s. 189-98; Aage Jørgensen, "Hans Christian Andersen between Rootedness and Modernity, with Special Reference to His Fairy Tale 'The Dryad'", s. 199-215; Lone Funch Kofoed, "Shadow Pictures – Truth or Tale", s. 216-24. [Medias and Reception:] Zbigniew Baran, "Encyclopaedic 'Portraits' of Hans Christian Andersen in Contemporary Polish Encyclopaedias and Lexicons", s. 225-36; Silvestras Gaiziûnas, "The Motif of Mermaid in Baltic Literatures (Karlis Skalbe, Maironis, Leons Briedis, Aspazija, Kazys Puida, Violeta Palcinskaité)", s. 237-43; Elizaveta Isaeva, "Hans Christian Andersen and Evgeny Shwartz — Means of Reinterpretation", s. 244-49; Rossitsa Minovska-Devedzhieva, "Hans Christian Andersen in Puppet Theatre", s. 250-62; Elisabeth Oxfeldt, "Life and Death in 'The Little Mermaid'. Three Contemporary Adaptations of Hans Christian Andersen's Fairy Tale", s. 263-74; Jacqueline Reid-Walsh, "'Everything in the Picture Book Was Alive'. Hans Christian Andersen's Strategy of Textual Animation in His Fairy Tales and the Interactive Child Reader", s. 275-89. [Translation:] Arûnas Bliûdzius, "Translations of Hans Christian Andersen in Latvian and Lithuanian (1990-2005)", s. 290-96; Lise Bostrup, "Like Roses to a Cow? Hans Christian Andersen in English Translations", s. 297-325; Anca Dumitrescu, "Hans Christian Andersen and His First Romanian Translators", s. 326-31; Ivo Holmqvist, "'Prenez garde aux enfants!' Swedish Versions and Varieties of Hans Christian Andersen's Eventyr", s. 332-42; Silvana Orel-Kos, "The Identity and Integrity of the Slovene Andersen in the Post-WW2 Period. Translation as the Right of Passage", s. 343-59; Mare Müürsepp, "Hans Christian Andersen's Fairy Tales for Estonian Readers", s. 360-68; Yoichi Nagashima, "For Adults Only", s. 369-73; Viggo Hjørnager Pedersen, "'Out in The World, Thoughts Come'", s. 374-88; Boris Zharov, "Dynamism in Perception of Hans Christian Andersen in Saint Petersburg, one of the most Andersenous Cities of the World", s. 389-97; Anette Øster, "Hans Christian Andersen's Fairy Tales – Children's Literature?" s. 398-408. [Children's Aspects:] Mogens Davidsen, "Childishness as Poetic Strategy", s. 409-25; Asta Ivanauskaité-Gustaitiene, "Father's Fault Concerning His Daughter", s. 426-42; Inger Lise Jensen, "Dream and Reality. 'The Little Match Girl' Seen in a Socio-psychological Perspective", s. 443-59; Eric J. Jones, "Hans Christian Andersen's Flair to Communicate Basic Social Skills Naturally and Imperceptibly to National and International Readers", s. 460-65; Tom Lundskær-Nielsen, "Language for Children? An Examination of the Language and Intended Readership of the Fairy Tales", s. 466-77; James Massengale, "About Little Gerda, and Her 'Moratoria'", s. 478-504; Vincent Mhlakaza, "Hans Christian Andersen's Stories. The Southern Africa Perspective", s. 505-15; Ivy York Möller-Christensen, "Hans Christian Andersen – a Young Poet? Considerations about a Textbook", s. 516-21; Inger M. Olsen, "Strong Minded and Strong Willed Girls in Hans Christian Andersen's Fairy Tales Found in 'The Snow Queen' (1844); 'The Little Match Girl' (1845); 'Clod Hans' (1855) and 'The Swamp King's Daughter' (1858)", s. 522-27; Inge Lise Rasmussen, "'The Snow Queen' by Hans Christian Andersen. 'Weltanschauung' and the Imaginative Mind", s. 528-37; Torben Weinreich, "Hans Christian Andersen – Writing for Children?" s. 538-46. [Aesthetics, Text, Analysis and Ideas:] Ejnar Stig Askgaard, "'Look! Now we'll begin. When we have got to the end of the story we shall know more than we do now'", s. 547-69; Vera Gancheva, "The Toll of Andersen's Bell. From Neo-Platonism to New Age – Ways of Understanding and Interpreting the Great Writer's Spirituality", s. 570-84; Ib Johansen, "Trivializing Trauma(s). Carnivalesque-grotesque Elements in Hans Christian Andersen's 'The Happy Family' (1847, 1848), 'Heartache' (1852), and 'The Goblin and the Grocer' (1852)", s. 585-98; Paul A. Bauer & Lone Koldtoft, "The Bed of Procrustes. An Analysis of Hans Christian Andersen's 'The Fir Tree'", s. 599-609; Cynthia Mikkelsen, "Approaching Fear in Hans Christian Andersen's Fairy Tales Through Sigmund Freud, Julia Kristeva and Melanie Klein", s. 610-24; Leander Petzoldt, "The Soul of Things. Literary Forms and Popular Motifs in the Tales of Hans Christian Andersen", s. 625-31; Margarita Slavova, "'Now Then! We Will Begin …'. Communicative Strategies in Hans Christian Andersen's Fairy Tales", s. 632-39.)

(Bibliografisk kilde: HCAH)

Forum for World Literature Studies (Shanghai/Wuhan/West Lafayette), 3, 2011. (Temasektion, “Hans Christian Andersen and the Fairy Tale Studies”: JØRGEN VEISLAND, “ Introduction to Topic on Hans Christian Andersen and the Fairy Tale”, p. 158; BARBARA STAWICKA-PIRECKA, “Lydia Cabrera’s African Fables from Cuba as a Text Theatre”, pp. 159-65; DOLORES BUTTRY, “Treue in Three Tales by the Brothers Grimm”, pp. 166-72; GUDLEIV BOY, “Nation Building and Folklore in Norway 1840-1905”, pp. 173-83; TOM LUNDSKÆR-NIELSEN, “The Language of Andersen’s Early Fairy Tales”, pp. 184-94; HANNA DYMEL-TRZEBIATOWSKA, “Dual or Single Address? Some Reflections on Hans Christian Andersen’s Fairy Tales in Polish Translations”, pp. 195-203; JOHANNES NØRREGAARD FRANDSEN, “The Writer of Tales. Hans Christian Andersen as a Cultural Bridge-Builder”, pp. 204-10; ANNE-MARIE MAI, “‘The Dryad’ by Hans Christian Andersen. A Fairy Tale on Modern Times and The World Exhibition of 1867”, pp. 211-19; JØRGEN VEISLAND, “The End of the Fairy Tale. Hans Christian Andersen’s ‘The Shadow’”, pp. 220-31.) online

(Bibliografisk kilde: HCAH)