H.C. Andersen centret

by Hans C. Andersen. Ill. H. Warren. George Routledge & Co, London, 1853.
1.del.
The Fir Tree, The Snow Queen, and other Tales and Stories. By Hans Christian Andersen. With Illustrations (by Henry Warren). London: George Routledge and Co., Farringdon St. 1853. (oversættelse: Madame de Chatelain)
2.del
The Story of my Life; and In Sweden. By Hans Christian Andersen. London: George Routledge and Co., Farringdon Street. 1852. Oversættelse af "The Story of My Life": Dr.Spillan, A.M., of Trinity College, Dublin. Oversættelse af: "In Sweden": Kenneth R.H.Mackenzie. (Heri er kap.XXII og kap.XVII udeladt)
Printed by Cox (Brothers) and Wyman, Great Queen-Street
Ek2, Ek5, Ek9, Ek12, Ek19, Ek20, Ek24, Ek26, Ek27, Ek28, Ek29, Ek33, The Story Of My Life, In Sweden

(Bibliografisk kilde: HCAH 1954/67)

1. The Fir-Tree [indh.: The Fir Tree, The Brave Tin Soldier, Little Tiny, The Goblin and the Huckster, A Great Sorrow, The Silver Shilling, The Ugly Duckling,)
2. The Roses (indh.: The Roses and the Sparrows [ek41], Little Tuk, The Old Grave-Stone, The Bell-Deep, The Beetle, Elder-Tree Mother).
3. The Nightingale (indh.: The Nightingale, Ole Lukøie, The Old Bachelor's Nightcap, The Elf of the Rose, The Angel, The Pea Blossom).
4. Ib and Christina (indh.: Ib and Little Christina, The Bottle Neck, The Flax, The Last Dream of the Old Oak, The Girl Who trod on the Loaf, The Daisy).
5. The Old House (indh.: The Old House, The Happy Family, The Metal Pig, The Emperor's New Clothes, The Tinder-Box, The Red Shoes).
6. The Golden Treasure (indh.: The Golden Treasure, The Butterfly, The Dumb Book, The Gardener, She Was Good for Nothing, Little Ida's Flowers, The Conceited Apple-Branch [ek51], The Sun-Beam and the Captive [ek38]) .
7. The Storks (indh.: The Storks, The Philosopher's Stone, The Lovliest Rose in the World, The Snow Man, The Story of the Year, The Story of a Mother).
8. The Jewish Maiden (indh.: The Jewish Maiden, The Darning-Needle, The Little Match-Seller, The Travelling Companion, The Jumpers, The Swineherd, A Leaf from Heaven).
9. Anne Lisbeth (indh.: Anne Lisbeth, A Cheerful Temper, The Top and the Ball, The Wild Swans, Everything in its Right Place, The Money-Box).
10. The Shadow (indh.: The Shadow, The Racers, The Buckwheat, Soup from a Sausage Skewer, The Bell, or Nature's Music, The Farm-Yard Cock, and the Weather-Cock).
11. The Snow Queen (indh.: The Snow Queen, The Portuguese Duck, The Flying Trunk).
12. The Little Mermaid (indh.: The Little Mermaid, The Pen and the Inkstand, What the Mooon Saw, What the Old Man Does is Always Right, A Rose from Homer's Grave).
13. The Garden of Paradise (indh.: The Garden of Paradise, The Mail-Coach Passengers, The Mischievous Boy, Under the Willow-Tree, The Old Man and the Angel).
14. Little Claus and Big Claus (indh.: Little Claus and Big Claus, The Shepherdess and the Sweep, The Puppet-Show Man, The Shepherd's Story of the Bond of Friendship, The Old Street Lamp, The Old Church Bell).
15. The Mother's Love (indh.: The Mother's Love, The Shirt Collar, Children's Prattle, Beuty of Form and Beauty of Mind, The Story of the Wind, A Story, Something.] Each part is complete in itself and contains two Coloured Plates besides several fine woodcuts. Frederick Warne & Co. London, 1874.

(Bibliografisk kilde: Bredsdorff)

(Bibliografisk kilde: HCAH 2011/88)

Illustrated. London [1885].

(Bibliografisk kilde: Bredsdorff)

Chambers's narrative readers. Set B. London. [1914]

(Bibliografisk kilde: Bredsdorff)

A play for children. Adapted from Hans Andersen's story by Edith Marshall. Macmillan and Co. London, 1936. 91 p.

(Bibliografisk kilde: HCAH 1980/2243)

Illustrated by Emil Weiss. P.R. Gawthorn, London, 1945. 56 s.

(Bibliografisk kilde: Bredsdorff)

(Bibliografisk kilde: HCAH 1980/506)

Illustrated by Alice Schlesinger. Grosset & Dunlap. New York, 1947.

(Bibliografisk kilde: Bredsdorff)

(Bibliografisk kilde: HCAH: 1950/89)

Andersen, H.C.: "The Fir Tree", translated by Jean Hersholt, in The Complete Andersen , I-VI. New York 1949. Cf. AaJ 1286

by Hans Christian Andersen (adapted by G.H. Holroyd) pp 41-50. In: The Christmas Dramatic Book Illustrated by W. Littlewood. London. 1956, 214 p.

(Bibliografisk kilde: HCAH 1980/2853)

The Fir Tree. Ill.: Svend Otto S. Tr.: M.R. James. Kaye & Ward, London 1968.

(Bibliografisk kilde: HCAH 1980/849)

James Derby: or: 'Mom, My Doll's Talking again'. Andersen wrote fairy tales. Some of these include anthropomorphism, e.g. The Drop of Water, the Flax, the Fir Tree, and the Constant Tin Soldier. Elementary English, Vol. 47, No. 2 (Feb. 1970, pp. 190-92.

(Bibliografisk kilde: HCAH)

Mylius, Johan de, Aage Jørgensen & Viggo Hjørnager Pedersen (red.), Hans Christian Andersen. Between Children's Literature and Adult Literature. Papers from the Fourth International Hans Christian Andersen Conference 1 to 5 August 2005. Issued by The Hans Christian Andersen Center, University of Southern Denmark, Odense. 2007. 639 s.
(Indhold: [Plenary Lectures:] Carola Scanavino, "Caught Between Heaven and Hell. The Two Faces of Hans Christian Andersen", s. 13-22; Erik M. Christensen, "The Queen and I", s. 23-36; Hans Kuhn, "Andersen's Poems for and about Children", s. 37-51; Johan de Mylius, "Death and The Child", s. 52-70; Kirsten Malmkjær, "The Language that Stayed at Home. Hans Christian Andersen's Ways with Words", s. 71-87; Marianne Stecher-Hansen, "Romantic and Modern Metatexts. Commemorating Andersen and the Self-Referential Text", s. 88-100; Maria-Sabina Draga Alexandru, "'Out of a Swan's Egg'. Metamorphosis in Hans Christian Andersen's Tales and in 'The Fairy Tale of My Life'", s. 101-18; Andrey Korovin, "Chronotope of Hans Christian Andersen's Fairy Tales and Stories", s. 119-30; Martin Lotz, "The Shepherdess and the Chimney Sweep", s. 131-48. [Culture, Travels and Biography:] Hans Christian Andersen, "Hans Christian Andersen Tourist? An Investigation of Etymology, Social History and Ideology", s. 149-65; Annelies van Hees, "Hans Christian Andersen Was No Hypochondriac, He Was Ill", s. 166-73; Nina Hintz, "Hans Christian Andersen's View of the Orient and His Dealing with Otherness", s. 174-88; Lars Bo Jensen, "Children and Moods in Hans Christian Andersen's Travel Books", s. 189-98; Aage Jørgensen, "Hans Christian Andersen between Rootedness and Modernity, with Special Reference to His Fairy Tale 'The Dryad'", s. 199-215; Lone Funch Kofoed, "Shadow Pictures – Truth or Tale", s. 216-24. [Medias and Reception:] Zbigniew Baran, "Encyclopaedic 'Portraits' of Hans Christian Andersen in Contemporary Polish Encyclopaedias and Lexicons", s. 225-36; Silvestras Gaiziûnas, "The Motif of Mermaid in Baltic Literatures (Karlis Skalbe, Maironis, Leons Briedis, Aspazija, Kazys Puida, Violeta Palcinskaité)", s. 237-43; Elizaveta Isaeva, "Hans Christian Andersen and Evgeny Shwartz — Means of Reinterpretation", s. 244-49; Rossitsa Minovska-Devedzhieva, "Hans Christian Andersen in Puppet Theatre", s. 250-62; Elisabeth Oxfeldt, "Life and Death in 'The Little Mermaid'. Three Contemporary Adaptations of Hans Christian Andersen's Fairy Tale", s. 263-74; Jacqueline Reid-Walsh, "'Everything in the Picture Book Was Alive'. Hans Christian Andersen's Strategy of Textual Animation in His Fairy Tales and the Interactive Child Reader", s. 275-89. [Translation:] Arûnas Bliûdzius, "Translations of Hans Christian Andersen in Latvian and Lithuanian (1990-2005)", s. 290-96; Lise Bostrup, "Like Roses to a Cow? Hans Christian Andersen in English Translations", s. 297-325; Anca Dumitrescu, "Hans Christian Andersen and His First Romanian Translators", s. 326-31; Ivo Holmqvist, "'Prenez garde aux enfants!' Swedish Versions and Varieties of Hans Christian Andersen's Eventyr", s. 332-42; Silvana Orel-Kos, "The Identity and Integrity of the Slovene Andersen in the Post-WW2 Period. Translation as the Right of Passage", s. 343-59; Mare Müürsepp, "Hans Christian Andersen's Fairy Tales for Estonian Readers", s. 360-68; Yoichi Nagashima, "For Adults Only", s. 369-73; Viggo Hjørnager Pedersen, "'Out in The World, Thoughts Come'", s. 374-88; Boris Zharov, "Dynamism in Perception of Hans Christian Andersen in Saint Petersburg, one of the most Andersenous Cities of the World", s. 389-97; Anette Øster, "Hans Christian Andersen's Fairy Tales – Children's Literature?" s. 398-408. [Children's Aspects:] Mogens Davidsen, "Childishness as Poetic Strategy", s. 409-25; Asta Ivanauskaité-Gustaitiene, "Father's Fault Concerning His Daughter", s. 426-42; Inger Lise Jensen, "Dream and Reality. 'The Little Match Girl' Seen in a Socio-psychological Perspective", s. 443-59; Eric J. Jones, "Hans Christian Andersen's Flair to Communicate Basic Social Skills Naturally and Imperceptibly to National and International Readers", s. 460-65; Tom Lundskær-Nielsen, "Language for Children? An Examination of the Language and Intended Readership of the Fairy Tales", s. 466-77; James Massengale, "About Little Gerda, and Her 'Moratoria'", s. 478-504; Vincent Mhlakaza, "Hans Christian Andersen's Stories. The Southern Africa Perspective", s. 505-15; Ivy York Möller-Christensen, "Hans Christian Andersen – a Young Poet? Considerations about a Textbook", s. 516-21; Inger M. Olsen, "Strong Minded and Strong Willed Girls in Hans Christian Andersen's Fairy Tales Found in 'The Snow Queen' (1844); 'The Little Match Girl' (1845); 'Clod Hans' (1855) and 'The Swamp King's Daughter' (1858)", s. 522-27; Inge Lise Rasmussen, "'The Snow Queen' by Hans Christian Andersen. 'Weltanschauung' and the Imaginative Mind", s. 528-37; Torben Weinreich, "Hans Christian Andersen – Writing for Children?" s. 538-46. [Aesthetics, Text, Analysis and Ideas:] Ejnar Stig Askgaard, "'Look! Now we'll begin. When we have got to the end of the story we shall know more than we do now'", s. 547-69; Vera Gancheva, "The Toll of Andersen's Bell. From Neo-Platonism to New Age – Ways of Understanding and Interpreting the Great Writer's Spirituality", s. 570-84; Ib Johansen, "Trivializing Trauma(s). Carnivalesque-grotesque Elements in Hans Christian Andersen's 'The Happy Family' (1847, 1848), 'Heartache' (1852), and 'The Goblin and the Grocer' (1852)", s. 585-98; Paul A. Bauer & Lone Koldtoft, "The Bed of Procrustes. An Analysis of Hans Christian Andersen's 'The Fir Tree'", s. 599-609; Cynthia Mikkelsen, "Approaching Fear in Hans Christian Andersen's Fairy Tales Through Sigmund Freud, Julia Kristeva and Melanie Klein", s. 610-24; Leander Petzoldt, "The Soul of Things. Literary Forms and Popular Motifs in the Tales of Hans Christian Andersen", s. 625-31; Margarita Slavova, "'Now Then! We Will Begin …'. Communicative Strategies in Hans Christian Andersen's Fairy Tales", s. 632-39.)

(Bibliografisk kilde: HCAH)