H.C. Andersen centret

Tr. by H. W. Dulcken. Illustrated with many Pictures. Brothers Dalziel. 20 vols. [Vols. I—XII, London, 1869-70.] George Routledge and Sons, London, 1869—87.

(Bibliografisk kilde: Bredsdorff)

bd. 1: 'The Red Shoes', and other Stories. 120 s.
Ek19, Ek30, Ek31, Ek48, Ek58, Ek59, Ek60, Ek71, Ek88, Ek90, Ek101, Ek102.

(Bibliografisk kilde: HCAH 1980/233, 1954/120, 1980/2635)

bd. 2: 'The Silver Shilling', and Other Stories. 120 s.
Ek2, Ek3, Ek4, Ek9, Ek11, Ek24, Ek26, Ek35, Ek47, Ek67, Ek108, Ek110, The Pigs, The Pigs" = afsnit XXIX i "I Sverrig"

(Bibliografisk kilde: HCAH 1980/234, 1954/121)

bd. 3: 'The Litlle Match Girl', and Other Stories. 120 s.
Ek16, Ek17, Ek25, Ek33, Ek37, Ek53, Ek65, Ek84,
Afsnit fra "En Digters Bazar": "Days in the Mediterranean": afsnit I, "Grækenland" "The Graveyard at Scutari": afsnit XI, "Orienten" "The Bosphorus": afsnit XIV, "Orienten" "Athens": afsnit IV, "Grækenland"

(Bibliografisk kilde: HCAH 1980/235, 1954/122)

Bd. 4: 'The Darning Needle', and Other Stories. 119 s.
Ek18, Ek32, Ek34, Ek36, Ek38, Ek39, Ek42, Ek45, Ek49, Ek70, Ek78, Ek96, Ek104, Ek134

(Bibliografisk kilde: HCAH 1954/123)

Bd. 5: 'The Tinder-Box', and other Stories. 120 s.
Ek1, Ek23, Ek28, Ek55, Ek66, Ek79, Ek93, Ek98, Ek112, Ek113, Ek115

(Bibliografisk kilde: HCAH 1954/124, 1980/232)

Bd. 6: 'The Goloshes of Fortune', and Other Stories.119 s.
Ek10, Ek14, Ek20, Ek21, Ek29, Ek40, Ek52, Ek80

(Bibliografisk kilde: HCAH 1954/125)

Bd. 7: 'The Marsh King's Daughter', and Other Stories. 118 s.
Ek43, Ek46, Ek83, Ek100

(Bibliografisk kilde: HCAH 1954/126)

Bd. 8: 'Everything in its Right Place', and Other Stories. 120 s.
Ek22, Ek61, Ek72, Bub, uden 11. aften.

(Bibliografisk kilde: HCAH 1954/127, 1980/236)

Bd. 9: 'The Wild Swans', and Other Stories. 119 s.
Ek13, Ek44, Ek62, Ek87, Ek111, "A Peasant Boy in the Campagna of Rome" = Uddrag fra afsnit V, del 1, af "Improvisatoren".

(Bibliografisk kilde: HCAH 1954/128, 1980/23)

Bd. 10: 'Under the Willow Tree', and Other Stories. 118 s.
Ek63, Ek68, Ek76, Ek85, Ek89, Ek99,
"An Adventure in the Catacombs of Rome" = uddrag fra afsnit II, 1.del, af "Improvisatoren".

(Bibliografisk kilde: HCAH 1954/129)

Bd. 11: 'The Old Church Bell', and Other Stories. 120 s.
Ek81, Ek95, Ek107, Ek109.
"My Boots" = afsnit XIII, "Italien", i "En Digters Bazar"

(Bibliografisk kilde: HCAH 1954/130, A-110)

Bd. 12: 'The Ice Maiden', and Other Stories. 120 s.
Ek77, Ek106.

(Bibliografisk kilde: HCAH 1954/131, 1980/238)

Bd. 13: 'The Will-o'-the Wisp', and Other Stories.
Ek118, Ek119, Ek120, Ek121, Ek122, Ek123,
"The Legend of Nürnberg Castle" = uddrag fra afsnit VIII, "Tydskland "A Night in the Apennines" = afsnit II, "Italien" "The Carnival in Rome" = afsnit XVII, "Italien" "Mahomet´s Birthday" = afsnit XII, "Orienten"
"My visit to the Borghese Palace" = uddrag fra afsnit VI, 1 del, i "Improvisatoren".

(Bibliografisk kilde: HCAH 1954/132, 1980/239)

Bd. 14: 'Poultry Meg's Family', and Other Stories. 128 s.
Ek94, Ek136, Ek140.

(Bibliografisk kilde: HCAH 1954/133)

Bd. 15: 'Put Off is Not Done With', and Other Stories. 128 s.
Ek64, Ek116, Ek124, Ek125, Ek126, Ek141

(Bibliografisk kilde: HCAH 1954/134)

Bd. 16: 'The Snow Man', and Other Stories. 118 s.
Ek8, Ek15, Ek51, Ek54, Ek86, Ek92, Ek103.

(Bibliografisk kilde: HCAH 1954/135)

Bd. 17: 'In Sweden', and Other Stories. 120 s. I Sverrig, Mle.

(Bibliografisk kilde: HCAH 1954/136)

Bd. 18: 'The Snow Queen', and Other Stories. 119 s.
Ek27, Ek41, Ek50, Ek56, Ek73, Ek91.

(Bibliografisk kilde: HCAH 1954/137)

Bd. 19: 'The Hardy Tin Soldier', and Other Stories. 118 s.
Ek5, Ek6, Ek7, Ek12, Ek69, Ek74, Ek127, Ek142

(Bibliografisk kilde: HCAH 1954/138, A-112)

1. The Fir-Tree [indh.: The Fir Tree, The Brave Tin Soldier, Little Tiny, The Goblin and the Huckster, A Great Sorrow, The Silver Shilling, The Ugly Duckling,)
2. The Roses (indh.: The Roses and the Sparrows [ek41], Little Tuk, The Old Grave-Stone, The Bell-Deep, The Beetle, Elder-Tree Mother).
3. The Nightingale (indh.: The Nightingale, Ole Lukøie, The Old Bachelor's Nightcap, The Elf of the Rose, The Angel, The Pea Blossom).
4. Ib and Christina (indh.: Ib and Little Christina, The Bottle Neck, The Flax, The Last Dream of the Old Oak, The Girl Who trod on the Loaf, The Daisy).
5. The Old House (indh.: The Old House, The Happy Family, The Metal Pig, The Emperor's New Clothes, The Tinder-Box, The Red Shoes).
6. The Golden Treasure (indh.: The Golden Treasure, The Butterfly, The Dumb Book, The Gardener, She Was Good for Nothing, Little Ida's Flowers, The Conceited Apple-Branch [ek51], The Sun-Beam and the Captive [ek38]) .
7. The Storks (indh.: The Storks, The Philosopher's Stone, The Lovliest Rose in the World, The Snow Man, The Story of the Year, The Story of a Mother).
8. The Jewish Maiden (indh.: The Jewish Maiden, The Darning-Needle, The Little Match-Seller, The Travelling Companion, The Jumpers, The Swineherd, A Leaf from Heaven).
9. Anne Lisbeth (indh.: Anne Lisbeth, A Cheerful Temper, The Top and the Ball, The Wild Swans, Everything in its Right Place, The Money-Box).
10. The Shadow (indh.: The Shadow, The Racers, The Buckwheat, Soup from a Sausage Skewer, The Bell, or Nature's Music, The Farm-Yard Cock, and the Weather-Cock).
11. The Snow Queen (indh.: The Snow Queen, The Portuguese Duck, The Flying Trunk).
12. The Little Mermaid (indh.: The Little Mermaid, The Pen and the Inkstand, What the Mooon Saw, What the Old Man Does is Always Right, A Rose from Homer's Grave).
13. The Garden of Paradise (indh.: The Garden of Paradise, The Mail-Coach Passengers, The Mischievous Boy, Under the Willow-Tree, The Old Man and the Angel).
14. Little Claus and Big Claus (indh.: Little Claus and Big Claus, The Shepherdess and the Sweep, The Puppet-Show Man, The Shepherd's Story of the Bond of Friendship, The Old Street Lamp, The Old Church Bell).
15. The Mother's Love (indh.: The Mother's Love, The Shirt Collar, Children's Prattle, Beuty of Form and Beauty of Mind, The Story of the Wind, A Story, Something.] Each part is complete in itself and contains two Coloured Plates besides several fine woodcuts. Frederick Warne & Co. London, 1874.

(Bibliografisk kilde: Bredsdorff)

(Bibliografisk kilde: HCAH 2011/88)

[leder, uddrag:]

... the poet, who perhaps touches a wider circle of admirers than any other living man of letters. [...]
[...] he has given the world his best already. This best - his admirable stories for children - is known and read by all men, and the poet has aquired what is the only true popularity. He is dear to the children of every European country, and has established his fame in the hearts of future generations. [...]
The races of the North were among those which started best in the literary race [Eddaen og Sagaerne omtales, og det nævnes, hvordan andre lande senere har taget føringen.] Hence a Danish poet like Andersen finds it no easy matter to pass the wall of ice which severs the genius of the North from that of England and France, as Brynhild was guarded from her lovers by the fence of fire. only the fame of Ibsen is vaguely rumoured, only Thorwaldsen is videly known in plastic art. But Hans Andersen , the son of the cobbler of Odensee, is a houshold word, and the creations of his fancy have passed into the great Pantheon where Shakespeare 's poople, and Homer 's and Scott 's, enjoy a life less perishable thant hat of mortal men. [...]
It has been given to Hans Andersen to fashion beings, it may almost be asaid, of a new kind, to breathe life into the toys of childhood, and the forms of antique superstition. The tin sldier, the ugly duckling, the mermaid, the little match girl, are no less real and living in their way than Othello , or Mr. Pickwick, or Helen of Troy. It seems a very humble field in which to work, this of nursery legend and childish fancy. Yet the Danish poet alone, of all who have laboured in it, has succeeded in recovering, and reproducing, the kind of imagination which constructed the old world fairy tales. [...]
It is the speciality of the genius of Hans Andersen that the persons of his stories are as naïve and simple as the Sleeping Beauty or as Cinderella [...]
It is only a writer who can write for men that is fit to write for children. [...]
It is a great prize that the Danish poet has won in being the poet and the storyteller of childhood. There are more glorious crowns, but none so innocent or so untarnished as this that binds the white hair of the illustrious Hans Christian Andersen .

HCAs dagbog: 10. april 1875: I Torsdag fik jeg fra B Adler et Nummer af Evening [fejl for Daily] news i London hvor jeg paa det allerdristigste stilles op som den meest læste af alle nu levende Digtere og mine Eventyr gives Plads i det Pantheon hvor Homeer og Schackspear evigt leve.

(Bibliografisk kilde: Bredsdorff p 483)

Tr. by H. W. Dulcken. Illustrated with many Pictures. Brothers Dalziel. 20 vols. George Routledge and Sons, London, [1883].

(Bibliografisk kilde: Bredsdorff)

bd. 1: 'The Red Shoes', and other Stories. 120 s.

bd. 2: 'The Silver Shilling', and Other Stories. 120 s.

bd. 3: 'The Little Match Girl', and Other Stories. 120 s.

(Bibliografisk kilde: HCAH 1980/250)

Bd. 4: 'The Darning Needle', and Other Stories. 120 s.

(Bibliografisk kilde: HCAH 1980/251)

Bd. 5: 'The Tinder-Box', and other Stories. 120 s.

(Bibliografisk kilde: HCAH 1980/252)

Bd. 6: 'The Goloshes of Fortune', and Other Stories. 120 s.

(Bibliografisk kilde: HCAH 1980/253)

Bd. 7: 'The Marsh King's Daughter', and Other Stories.

(Bibliografisk kilde: HCAH 1980/266)

Bd. 8: 'Everything in its Right Place', and Other Stories. 120 s.

(Bibliografisk kilde: HCAH 1980/254)

Bd. 9: 'The Wild Swans', and Other Stories. 120s.

(Bibliografisk kilde: HCAH 1980/255)

Bd. 10: 'Under the Willow Tree', and Other Stories.

(Bibliografisk kilde: HCAH 1980/249, 1980/256)

Bd. 11: 'The Old Church Bell', and Other Stories. 120s.

(Bibliografisk kilde: HCAH 1980/257)

Bd. 12: 'The Ice Maiden', and Other Stories. 120 s.

(Bibliografisk kilde: HCAH 1980/258)

Bd. 13: 'The Will-o'-the Wisp', and Other Stories. 120 s.

(Bibliografisk kilde: HCAH 1980/259)

Bd. 14: 'Poultry Meg's Family', and Other Stories. 128 s.

(Bibliografisk kilde: HCAH 1980/260)

Bd. 15: 'Put Off is Not Done With', and Other Stories. 128 s.

(Bibliografisk kilde: HCAH 1980/261, 1980/262)

Bd. 16: 'The Snow Man', and Other Stories. 118 s.

(Bibliografisk kilde: HCAH 1980/263)

Bd. 17: 'In Sweden', and Other Stories.

Bd. 18: 'The Snow Queen', and Other Stories. 120 s.

(Bibliografisk kilde: HCAH 1980/264,1980/276)

Bd. 19: 'The Hardy Tin Soldier', and Other Stories.

Bd. 20: 'What the Grass-Stalks said, and Other Stories. 122 s.

(Bibliografisk kilde: HCAH 1980/265)

Madison C. Peters: Hans Christian Andersen, the famous writer of fairy tales, had several loves in youth. Received proposal from a young girl after he had become an old man. The Washington Post, Sep 5, 1915.

(Bibliografisk kilde: HCAH)

The 'creation' of the season took place on Tuesday, when 'Les Contes d'Andersen', described as a fairy opera, with the poem by Maître Raoul Gunsbourg and music from Grieg, delighted a crowded an veery fashionable audience. 'The Little March Girl', 'The Snowman', 'The Emperor of China and the Nightingale', 'Le Peti Clauss'. Jeanine Micheau played the principal rôle. Tenor M. Luccioni. Monte Carlo News / The Riviera News, March 5th, 1938.

(Bibliografisk kilde: HCAH)

Andersen, H.C.: "The Little Match Girl", translated by Jean Hersholt, in The Complete Andersen , I-VI. New York 1949. Cf. AaJ 1286

Andersen, H.C.: "The Jewish Girl", translated by Jean Hersholt, in The Complete Andersen , I-VI. New York 1949. Cf. AaJ 1286

Andersen, H.C.: "The Girl Who Trod on the Loaf", translated by Jean Hersholt, in The Complete Andersen , I-VI. New York 1949. Cf. AaJ 1286

Den engelske Shakespeare-fortolker Michael Redgrave skal medvirke og kommer til Odense den 2. april. Fyns Tidende 5.2.1950.
Christian Lund: Hyldestdigt til begivenheden og den idé og tanke, der ligger bag, Ekstrabladet, 25. marts 1950. Jeg har maattet opgive at lære at tale dansk, Fyns Tidende, 29.3.1950.
Ekstrabladets gave til Michael Redgrave: H.C. Andersen-figurer fra den kongelige Porcelainsfabrik, Ekstrabladet , 1. april 1950; Michael Redgraves møde med H.C. Andersen paa 145 aarsdagen. Ekstrabladet, 1. og 3.4.1950.
H.C. Andersen hos Englands og USAs milioner af børn. Michael Redgrave knyttede fra digterens stol forbindelse mellem Odense og hele den engelsktalende verden. Politiken, 3.4.1950.
Visit hos den gamle trollkarlen på Fyn. H.C. Andersens 145-årsdag celebreras med stora festspel. Sydsvenska Dagbladet, 19 mrs 1950. Sydsvenska Dagbladet, 4. april 1950, Kvällsposten, 26.2.1950.
Hans Andersen - Through English Eyes, Publishers Circular, 1 April 1950. Radio Times, 31. marts 1950. Liverpool Post, 8 may 1950. Children's Newspaper, 1 April 1950.
Skuespiller Michael Redgrave ved Mikrofonen i H.C. Andersens Hus. Dansk Tidende, Chicago, 12. maj 1949.
Hanas Andersen's Week in Britain. Denmark, maj 1950. Litle Girl hears about "The Little Match Girl". Mette Kunøe listens to Derek McCulloch's Uncle Mac. Daily Express, 4 April 1950.
Al korrespondancen vedr. arrangementet ligger her.

(Bibliografisk kilde: HCAH)

DINNERSTEIN, DOROTHY, “‘The Little Mermaid’ and the Situation of the Girl”. Contemporary Psychoanalysis, 3, 1966-67, pp. 104-12.

18 original lithographs on themes from the world of Hans Christian Andersen. Galerie Börjeson Malmö, 1980.
Desuden vist i Galleri Biggi, Stavanger.
Om du senast 1 juni 1980 beställer ett eller flera blad ur Tobiasses serie får du "Sagor af H.C. Andersen illustrerade av Theo Tobiasse. Översättning Erik Asklund.
Välkommen til vernissage hos Galerie Börjeson söndagen 9. mars. Öppnas av Niels Oxenvad. Theo Tobiass kommer att signera. Ernst Hugo Järegård läsar stycken af H.C. Andersen.

(Bibliografisk kilde: Dal)

(Bibliografisk kilde: HCAH bog: 1981/217)

Naumann, Marina T., Dostoevsky's 'The Boy at Christ's Christmas-Tree Party'. A Paraphrase of Andersen's 'The Little Match Girl'. Revue de Littérature Comparée , 55, 1981, pp. 317-30.

DAVIS, KATHRYN, The Girl Who Trod on the Loaf. Alfred A. Knopf, New York 1993. 400 pp. – Roman om en kvindelig dansk komponist, der ved sin død efterlader en opera opkaldt efter HCA’s “Pigen, som traadte paa Brødet” (refereret pp. 14-17).

2. April 1989 dannedes i Sofia en klub: "Tiny Flower with seven Blossoms". Heftet fortæller om klubben og gengiver børneillustrationer til "The Snow Queen", "The ugly Duckling", "The little Mermaid", "The King's new Clothes", "The Evil King", "The Tiny Little Girl", "The Twelve passengers".

(Bibliografisk kilde: HCAH 2002/78)

ZUK, RHODA, “‘The Little Mermaid’. Three Political Fables”. Children’s Literature Association Quarterly, 22, 1997-98, pp. 166-74. – Om HCA’s eventyr samt Rosa Guy, “My Love, My Love, or: The Peasant Girl” (1985), og Walt Disney, “The Little Mermaid” (1989).

Offerle, Frank Anthony, The Fairy Tale Operas of Richard Faith . D.A.-thesis, University of Northern Colorado, 1999. 266 pp. (Cf. Dissertation Abstracts International , 60A, pp. 2283-84. – Bl.a. om operaen "The Little Match Girl", med libretto af Michael Ard.

Rouff, Ruth A., "Dyke Heroine Department. Reclaiming Hans Christian Andersen's 'Little Robber Girl'". Harrington Lesbian Fiction Quarterly , III, 2002, pp. 123-26. *

Hansen, Per Krogh & Marianne Wolff Lundholt (red.), When We Get to the End... Towards a Narratology of the Fairy Tales of Hans Christian Andersen. 2005. 390 pp. (Writings from the Center for Narratological Studies, University of Southern Denmark, 1.) (Bidrag til symposium holdt 15.-17.8.2003. "Introduction", pp. 11-23; Johs. Nørregaard Frandsen, "Opening Address from the Symposium", pp. 25-26; Ansgar Nünning, "Steps towards a Discourse-Oriented Narratology of the Fairy Tale. On the Functions of the Narrator in Hans Christian Andersen's Fairy Tales", pp. 27-51; Jørgen Holmgaard, "Narration and Narrative Techniques in Andersen's Fairy Tales", pp. 53-71; Lars-Åke Skalin, "'Out of the real grows the most wonderful tale': Extra- and Intrafictional Levels in H. C. Andersen's Storytelling", pp. 73-98; Per Krogh Hansen, "A Real Story? On Hans Christian Andersen's Sense of Narrativity and His Double Narratee", pp. 99-118; Gorm Larsen, "The Question of the Addressee and the Structure of Enunciation in Andersen's Tales. Or: Why the Fairy Tales are Not Told for Children", pp. 119-33; Marianne Wolff Lundholt, "Sympathy Structures in the Fairy Tales of Hans Christian Andersen", pp. 135-54; Greger Andersson, "Metanarrative Remarks in the Fairy Tales of Hans Christian Andersen", pp. 155-201; Marion Gymnich, "Possible-Worlds Theory as an Approach to the Dynamics of Hans Christian Andersen's Fairy Tales", pp. 203-18; Jørgen Dines Johansen, "The Split Text. Hybridization and Repetition in Andersen's 'The Dryad' (1868)", pp. 219-47; Johan de Mylius, "Time and Non-Time. On Composition and Decomposition in Hans Christian Andersen's Fairy Tales and Stories", pp. 249-65; Jacob Bøggild, "Arabesque and Allegory in H. C. Andersen's 'The Snow Queen'", pp. 267-82; Vera Nünning, "On the Rhetoric and Ethics of Andersen's Fairy Tales", pp. 283-303; Henrik Lassen, "'... from a Swedish tale by Andersen – '. 'The Little Match Girl' in America and the Topos of the Dying Child", pp. 305-80.)
Read: online

Mylius, Johan de, Aage Jørgensen & Viggo Hjørnager Pedersen (red.), Hans Christian Andersen. Between Children's Literature and Adult Literature. Papers from the Fourth International Hans Christian Andersen Conference 1 to 5 August 2005. Issued by The Hans Christian Andersen Center, University of Southern Denmark, Odense. 2007. 639 s.
(Indhold: [Plenary Lectures:] Carola Scanavino, "Caught Between Heaven and Hell. The Two Faces of Hans Christian Andersen", s. 13-22; Erik M. Christensen, "The Queen and I", s. 23-36; Hans Kuhn, "Andersen's Poems for and about Children", s. 37-51; Johan de Mylius, "Death and The Child", s. 52-70; Kirsten Malmkjær, "The Language that Stayed at Home. Hans Christian Andersen's Ways with Words", s. 71-87; Marianne Stecher-Hansen, "Romantic and Modern Metatexts. Commemorating Andersen and the Self-Referential Text", s. 88-100; Maria-Sabina Draga Alexandru, "'Out of a Swan's Egg'. Metamorphosis in Hans Christian Andersen's Tales and in 'The Fairy Tale of My Life'", s. 101-18; Andrey Korovin, "Chronotope of Hans Christian Andersen's Fairy Tales and Stories", s. 119-30; Martin Lotz, "The Shepherdess and the Chimney Sweep", s. 131-48. [Culture, Travels and Biography:] Hans Christian Andersen, "Hans Christian Andersen Tourist? An Investigation of Etymology, Social History and Ideology", s. 149-65; Annelies van Hees, "Hans Christian Andersen Was No Hypochondriac, He Was Ill", s. 166-73; Nina Hintz, "Hans Christian Andersen's View of the Orient and His Dealing with Otherness", s. 174-88; Lars Bo Jensen, "Children and Moods in Hans Christian Andersen's Travel Books", s. 189-98; Aage Jørgensen, "Hans Christian Andersen between Rootedness and Modernity, with Special Reference to His Fairy Tale 'The Dryad'", s. 199-215; Lone Funch Kofoed, "Shadow Pictures – Truth or Tale", s. 216-24. [Medias and Reception:] Zbigniew Baran, "Encyclopaedic 'Portraits' of Hans Christian Andersen in Contemporary Polish Encyclopaedias and Lexicons", s. 225-36; Silvestras Gaiziûnas, "The Motif of Mermaid in Baltic Literatures (Karlis Skalbe, Maironis, Leons Briedis, Aspazija, Kazys Puida, Violeta Palcinskaité)", s. 237-43; Elizaveta Isaeva, "Hans Christian Andersen and Evgeny Shwartz — Means of Reinterpretation", s. 244-49; Rossitsa Minovska-Devedzhieva, "Hans Christian Andersen in Puppet Theatre", s. 250-62; Elisabeth Oxfeldt, "Life and Death in 'The Little Mermaid'. Three Contemporary Adaptations of Hans Christian Andersen's Fairy Tale", s. 263-74; Jacqueline Reid-Walsh, "'Everything in the Picture Book Was Alive'. Hans Christian Andersen's Strategy of Textual Animation in His Fairy Tales and the Interactive Child Reader", s. 275-89. [Translation:] Arûnas Bliûdzius, "Translations of Hans Christian Andersen in Latvian and Lithuanian (1990-2005)", s. 290-96; Lise Bostrup, "Like Roses to a Cow? Hans Christian Andersen in English Translations", s. 297-325; Anca Dumitrescu, "Hans Christian Andersen and His First Romanian Translators", s. 326-31; Ivo Holmqvist, "'Prenez garde aux enfants!' Swedish Versions and Varieties of Hans Christian Andersen's Eventyr", s. 332-42; Silvana Orel-Kos, "The Identity and Integrity of the Slovene Andersen in the Post-WW2 Period. Translation as the Right of Passage", s. 343-59; Mare Müürsepp, "Hans Christian Andersen's Fairy Tales for Estonian Readers", s. 360-68; Yoichi Nagashima, "For Adults Only", s. 369-73; Viggo Hjørnager Pedersen, "'Out in The World, Thoughts Come'", s. 374-88; Boris Zharov, "Dynamism in Perception of Hans Christian Andersen in Saint Petersburg, one of the most Andersenous Cities of the World", s. 389-97; Anette Øster, "Hans Christian Andersen's Fairy Tales – Children's Literature?" s. 398-408. [Children's Aspects:] Mogens Davidsen, "Childishness as Poetic Strategy", s. 409-25; Asta Ivanauskaité-Gustaitiene, "Father's Fault Concerning His Daughter", s. 426-42; Inger Lise Jensen, "Dream and Reality. 'The Little Match Girl' Seen in a Socio-psychological Perspective", s. 443-59; Eric J. Jones, "Hans Christian Andersen's Flair to Communicate Basic Social Skills Naturally and Imperceptibly to National and International Readers", s. 460-65; Tom Lundskær-Nielsen, "Language for Children? An Examination of the Language and Intended Readership of the Fairy Tales", s. 466-77; James Massengale, "About Little Gerda, and Her 'Moratoria'", s. 478-504; Vincent Mhlakaza, "Hans Christian Andersen's Stories. The Southern Africa Perspective", s. 505-15; Ivy York Möller-Christensen, "Hans Christian Andersen – a Young Poet? Considerations about a Textbook", s. 516-21; Inger M. Olsen, "Strong Minded and Strong Willed Girls in Hans Christian Andersen's Fairy Tales Found in 'The Snow Queen' (1844); 'The Little Match Girl' (1845); 'Clod Hans' (1855) and 'The Swamp King's Daughter' (1858)", s. 522-27; Inge Lise Rasmussen, "'The Snow Queen' by Hans Christian Andersen. 'Weltanschauung' and the Imaginative Mind", s. 528-37; Torben Weinreich, "Hans Christian Andersen – Writing for Children?" s. 538-46. [Aesthetics, Text, Analysis and Ideas:] Ejnar Stig Askgaard, "'Look! Now we'll begin. When we have got to the end of the story we shall know more than we do now'", s. 547-69; Vera Gancheva, "The Toll of Andersen's Bell. From Neo-Platonism to New Age – Ways of Understanding and Interpreting the Great Writer's Spirituality", s. 570-84; Ib Johansen, "Trivializing Trauma(s). Carnivalesque-grotesque Elements in Hans Christian Andersen's 'The Happy Family' (1847, 1848), 'Heartache' (1852), and 'The Goblin and the Grocer' (1852)", s. 585-98; Paul A. Bauer & Lone Koldtoft, "The Bed of Procrustes. An Analysis of Hans Christian Andersen's 'The Fir Tree'", s. 599-609; Cynthia Mikkelsen, "Approaching Fear in Hans Christian Andersen's Fairy Tales Through Sigmund Freud, Julia Kristeva and Melanie Klein", s. 610-24; Leander Petzoldt, "The Soul of Things. Literary Forms and Popular Motifs in the Tales of Hans Christian Andersen", s. 625-31; Margarita Slavova, "'Now Then! We Will Begin …'. Communicative Strategies in Hans Christian Andersen's Fairy Tales", s. 632-39.)

(Bibliografisk kilde: HCAH)

Fairytales about Faith and Hope. Illustrated by Britta Routhier. Translated by W. Glyn Jones.
Contents: Introduction by W. Glyn Jones, The Garden of Eden, The Evil Prince, The Angel, The Bell, The Story of a Mother, Judgement Day, A Leaf from Heaven, The Marsh King's Daughter, Something, The Girl who Trod on the Loaf, The Child in the Grave, Pen and Inkwell, The Most Incredible Thing, The Cripple.
Bostrup Publishers, Copenhagen, 2011. 127 p.

Temaavis: Lene Kryger og Marie Jung: Få et eventyr af H.C. Andersen med spritny illustration og hør chefredaktør Per Westergaard læse det op. Se også, hvorfor to professorer og en trubadur er grebet af den gamle digter. Prisvinder DavidLang: Bernstein viste mig vejen (The Little Match Girl Passion). Jødisk komponist skildrer kernen i den kristne tro.
Jacob Bøggild: Bowie åbnede eventyret. Læsning af rocktekster i 70erne gav professor Bøggild fra HCA Centret smag for litteraturens dystre romantik.
Christian Steffensen: Oplæsningssucces med raketfart.
Katarina Le Müller: ude på det dybe kulturelle vand.
Den fattige pige og eventyret. om Arbejdet med det dansk-portugisiske Hans Christian Andersen Institut.
Ejnar Askgaard: Når en stjerne falder, går en sjæl op til Gud. Om: "Den lille Pige med Svolstikkerne", som er gengivet i fuld tekst og med illustration af Anna Walther.
Interview med Sebastian: Svanen lander lastet med eventyr.
Fyens Stiftstidende, og Fyns Amtsavis 2. april 2013.

(Bibliografisk kilde: HCAH)

Tine Kirkensgaard: Guldalderens it-girl Kamma Rahbek hang ud med H.C. Andersen og Adam Oehlenschläger og kunne syv sprog. Under Golden Days kan man få et indblik i hendes liv i Bakkehuset, samlingsstedet for 1800-tallets kulturelle elite. Politiken, 1.9.2017.

(Bibliografisk kilde: HCAH)