H.C. Andersen centret

A Christmas Greeting to my English Friends, Richard Bentley, London, december 1847. 100 s. Oversat af Charles Beckwith Lohmeyer.
Indeholdt eventyrene "The Old House" ("Det gamle Huus"), "The Drop of Water" ("Vanddraaben"), "The Happy Family" ("Den lykkelige Familie"), "The Story of a Mother" ("Historien om en Moder"), "The False Collar" ("Flipperne"), "The Shadow" ("Skyggen") og "The Old Street Lamp" ("Den gamle Gadeløgte").
Ek40, Ek43, Ek44, Ek45, Ek46, Ek47, Ek48
De fem førstnævnte af disse 7 eventyr var førsteudgivelser, kun "The Shadow" og "The Old Street Lamp" var tidligere udgivet på dansk. De fem førsteudgivelser udkom for første gang på dansk 4. marts 1848 i Nye Eventyr. Andet Bind. Anden Samling . - Anm.: The Athenaeum, 8.1.1848; The Literary Gazette and Journal of the Belles Lettres, Arts, Sciences, &c, 8 January 1848.

(Bibliografisk kilde: Bredsdorff p 442)

(Bibliografisk kilde: HCAH 1954/53, 1971/623, 1972/22)

1. The Fir-Tree [indh.: The Fir Tree, The Brave Tin Soldier, Little Tiny, The Goblin and the Huckster, A Great Sorrow, The Silver Shilling, The Ugly Duckling,)
2. The Roses (indh.: The Roses and the Sparrows [ek41], Little Tuk, The Old Grave-Stone, The Bell-Deep, The Beetle, Elder-Tree Mother).
3. The Nightingale (indh.: The Nightingale, Ole Lukøie, The Old Bachelor's Nightcap, The Elf of the Rose, The Angel, The Pea Blossom).
4. Ib and Christina (indh.: Ib and Little Christina, The Bottle Neck, The Flax, The Last Dream of the Old Oak, The Girl Who trod on the Loaf, The Daisy).
5. The Old House (indh.: The Old House, The Happy Family, The Metal Pig, The Emperor's New Clothes, The Tinder-Box, The Red Shoes).
6. The Golden Treasure (indh.: The Golden Treasure, The Butterfly, The Dumb Book, The Gardener, She Was Good for Nothing, Little Ida's Flowers, The Conceited Apple-Branch [ek51], The Sun-Beam and the Captive [ek38]) .
7. The Storks (indh.: The Storks, The Philosopher's Stone, The Lovliest Rose in the World, The Snow Man, The Story of the Year, The Story of a Mother).
8. The Jewish Maiden (indh.: The Jewish Maiden, The Darning-Needle, The Little Match-Seller, The Travelling Companion, The Jumpers, The Swineherd, A Leaf from Heaven).
9. Anne Lisbeth (indh.: Anne Lisbeth, A Cheerful Temper, The Top and the Ball, The Wild Swans, Everything in its Right Place, The Money-Box).
10. The Shadow (indh.: The Shadow, The Racers, The Buckwheat, Soup from a Sausage Skewer, The Bell, or Nature's Music, The Farm-Yard Cock, and the Weather-Cock).
11. The Snow Queen (indh.: The Snow Queen, The Portuguese Duck, The Flying Trunk).
12. The Little Mermaid (indh.: The Little Mermaid, The Pen and the Inkstand, What the Mooon Saw, What the Old Man Does is Always Right, A Rose from Homer's Grave).
13. The Garden of Paradise (indh.: The Garden of Paradise, The Mail-Coach Passengers, The Mischievous Boy, Under the Willow-Tree, The Old Man and the Angel).
14. Little Claus and Big Claus (indh.: Little Claus and Big Claus, The Shepherdess and the Sweep, The Puppet-Show Man, The Shepherd's Story of the Bond of Friendship, The Old Street Lamp, The Old Church Bell).
15. The Mother's Love (indh.: The Mother's Love, The Shirt Collar, Children's Prattle, Beuty of Form and Beauty of Mind, The Story of the Wind, A Story, Something.] Each part is complete in itself and contains two Coloured Plates besides several fine woodcuts. Frederick Warne & Co. London, 1874.

(Bibliografisk kilde: Bredsdorff)

(Bibliografisk kilde: HCAH 2011/88)

Andersen, H.C.: "The Shadow", translated by Jean Hersholt, in The Complete Andersen , I-VI. New York 1949. Cf. AaJ 1286

GORDON, CAROLINE & ALLEN TATE (udg.), The House of Fiction. An Anthology of the Short Story. 2nd ed. Charles Scribner's Sons, New York 1960. x, 469 pp. - Heri The Shadow (i Jean Hersholts oversættelse fra AaJ nr. 1286) pp. 56-64, efterfulgt af en Commentary pp. 64-66.- 1. udg., 1950, indeholder ikke HCA's tekst.

(Bibliografisk kilde: HCAH)

Le Guin, Ursula K., The Child and the Shadow. The Quarterly Journal of the Library of Congress , 32, 1975, pp. 139-48, spec. pp. 139-41. - Optrykt 1979 (nr. 641 ndf.).

(Bibliografisk kilde: HCAH)

Le Guin, Ursula K., The Child and the Shadow. I hendes: The Language of the Night. Essays on Fantasy and Science Fiction . Edited and with Introductions by Susan Wood. G. P. Putnam's Sons, New York 1979. Pp. 59-71. - Optryk af nr. 400 ovf. - Også optrykt i Virginia Haviland (red.), The Openhearted Audience. Ten Authors Talk about Writing for Children . Library of Congress, Washington 1980. Pp. 101-13. - På dansk 1983 (nr. 904 ndf.).

The Shadow and Other Tales . Edited with an Introduction by Niels Ingwersen. Department of Scandinavian Studies / University of Wisconsin, Madison [1981]. vi, 70 pp. (WITS / Wisconsin Introduction to Scandinavia, II:1.) - Indledning pp. 1-8.

(Bibliografisk kilde: HCAH 1997/403)

Woods, Irene E., Charles Dickens, Hans Christian Andersen, and 'The Shadow'. Dickens Quarterly , 2, 1985, pp. 124-29. - Om HCA-indflydelse i Bleak House.

Koelb, Clayton, Inventions of Reading. Rhetoric and the Literary Imagination . Cornell University Press, Ithaca / London 1988. Pp. 202-20 (The Shady Character of Literature: H. C. Andersen's 'The Shadow', en del af kapitlet The Rhetoric of Ethical Engagement).

Collected by M.Winther. Translated by T. Sands and J. Massengale with add. Commentary. Hefte 96 s. p. 77: Ref. to Hans Christian Andersen, who in his letter 5 October 1838 recommends to read Matthias Winther's fairy tale "The Eleven Swans": 'Læs i Mathias Winthers Eventyr det om de vilde Svaner og siig om det er godt eller slet omdigtet hos mig.
and on p. 78 about Hoffman's The Man and his Shadow.
WITS. Department of Scandinavian Studies, University of Wisconsin-Madison. 95 p.

(Bibliografisk kilde: HCAH 1990/137)

Dalager, Stig, Herre og skygge - et drømmespil frit over H. C. Andersen . Drama, Gråsten 1992. 67 pp. - Forord af Bo Green Jensen, Andersens ulvetime, pp. 5-6. - Foromtale: Berlingske Tidende, 30.12.1991. Anm.: Litteraturmagasinet Standardt, 6:1, 1992, p. 30. - Foromtale: Jyllands-Posten 31.1.1991. - Oversat til Engelsk af Jane McVeigh: "Lord and Shadow", Strakosch & Nordgreen Teaterforlag.

(Bibliografisk kilde: HCAH 1993/289)

White, Duffield, [Evgeny] Shvarts's 'The Shadow'. The Andersen Story and the Russian Subtexts. Slavic and East European Journal , 38, 1994, pp. 636-54.

(Bibliografisk kilde: HCAH)

Nassaar, Christopher S., Andersen's 'The Shadow' and [Oscar] Wilde's 'The Fisherman and his Soul'. A Case of Influence. Nineteenth-Century Literature , 50, 1995-96, pp. 217-24.

Christopher S. Nassaar: A Case of Influence Ninteenth-Century Literature, Vol. 50, No. 2 (Sep. 1995), pp. 217-24).

(Bibliografisk kilde: HCAH)

Mihaylova, Nadezhda(red.), Datskata Literatura v B_lgarija – Edin Vek O_arovanie / Danish Literature in Bulgaria – One Century of Enchantment. Proceedings from the Bulgarian-Danish Conference Held at "St. Kliment Ohridski"University of Sofia (October 18 ^th -20 ^th 2000) . University of Sofia, Sofia 2002. 270 pp. – Heri bl.a.: "Hans Christian Andersen", pp. 25-111: Johan de Mylius, "The Unknown Hans Christian Andersen – Storyteller and Poet, also for Adults", pp. 27-36; *Gueorgui Konstantinov, "On Hans Christian Andersen", pp. 37-40; *Bogomil Nonev, "Svetoslav Minkov. The Translator of Hans Christian Andersen in Bulgaria. A Portrait", pp. 41-49; *Elena Furnadzieva, "Translations and Editions of H. C. Andersen in Bulgaria", pp. 50-53; *Margaritha Terzieva, "The Fairy-Tale Master Andersen and Bulgarian Culture", pp. 54-66; *Ljuben Zidarov, "My Work on the Illustrations to H. C. Andersen's Fairy-Tales", pp. 67-71; *Krassimir Delchev, "Autobiographical, Realistic and Symbolic Elements in the Fairy-Tale 'The Shadow'by H. C. Andersen", pp. 72-81; *Lydia Denkova, "Hans Christian Andersen – a Philosophy of the Fragile", pp. 82-88; *Erika Lazarova, "The Goodness We All Need or Hans Christian Andersen and the Cynicism of the 20 ^th Century", pp. 89-96; *Albena Hranova, "Andersen and Oscar Wilde. Two Dances", pp. 97-101; *Evgenia Kamova, "My Work on the Translation of the Biographical Book about H. C. Andersen by Elias Bredsdorff", pp. 102-05; *Nadezhda Petkova, "Editor's Suffering", pp. 106-08. (* betyder: på bulgarsk.)

Sondrup, Steven P. (red.), H. C. Andersen. Old Problems and New Readings . Provo, UT, 2004. vi, 294 pp. (Papers from the Third International Hans Christian Andersen Conference held at Snowbird, Utah, USA, 12-16 June 2000; published by The Hans Christian Andersen Center, The University of Southern Denmark Press, Brigham Young University.) (Indhold: Steven P. Sondrup, "Introduction", pp. 1-6; Nathaniel Kramer, "H. C. Andersen's 'Tante Tandpine' and the Crisis of Representation", pp. 7-32; James Massengale, "Ut Poesis (Picturae) Musica", pp. 33-74; Jacob Bøggild, "Ruinous Reflections. On H. C. Andersen's Ambiguous Position Between Romanticism and Modernism", pp. 75-96; Marianne Stecher-Hansen, "H. C. Andersen's 'Historien om en Moder'. Allegory and Symbol in the Danish Golden Age", pp. 97-116; Frank Hugus, "H. C. Andersen Adapts Eugène Scribe for the Danish Stage", pp. 117-44; Kim Andersen, "'Genius'and the Problem og 'Livs-Anskuelse'. Kierkegaard Reading Andersen", pp. 145-60; Johan de Mylius, "The Andersen Legacy. Georg and Edvard Brandes in Dispute on H. C. Andersen", pp. 161-74; Herbert Rowland" "The Image of H. C. Andersen in American Magazines During the Author's Lifetime", pp. 175-98; Inge Lise Rasmussen, "H. C. Andersen. Reminiscence as Image and Echo", pp. 199-214; Niels Ingwersen, "Tall Tales on the Small Screen", pp. 215-34; Aage Jørgensen, "'What Would the Children Say...?' 'The Marsh King's Daughter' Revisited", pp. . 235-58; Annelies van Hees, "The Little Mermaid", pp. 259-70; Kristi Planck Johnson, "The Millennium. Vision Leads to Travel", pp. 271-80; Inger Lise Jensen, "Why Are There So Many Interpretations of H. C. Andersen's 'The Shadow'?", pp. 281-94.)

(Bibliografisk kilde: HCAH)

Sondrup, Steven P. (red.): H.C. Andersen. Old Problems and New Readings. Papers from the Third International Hans Christian Andersen Conference . Indlæg fra den tredie internationale HCA-konference, der blev afholdt i juni 2000 i Snowbird, Utah, USA. Bogen indeholder en introduktion, "Introduction", af redaktøren, professor Steven P. Sondrup, og 14 indlæg:

• Nathaniel Cramer: H.C. Andersen's "Tante Tandpine" and the Crisis of Representation
• James Massengale: Ut Poesis (Picturae) Musica
• Jacob Bøggild: Ruinous Reflections: On H.C. Andersen's Ambiguous Position Between Romanticism and Modernism
• Marianne Stecher-Hansen: H.C. Andersen's "Historien om en Moder": Allegory and Symbol in the Danish Golden Age
• Frank Hugus: H.C. Andersen Adapts Eugène Scribe For the Danish Stage
• Kim Andersen: "Genius" and the Problem of "Livs-Anskuelse": Kierkegaard Reading Andersen
• Johan de Mylius: The Andersen Legacy: Georg and Edvard Brandes in Dispute on H.C. Andersen
• Herbert Rowland: The Image of H.C. Andersen in American Magazines During the Author's Lifetime
• Inge Lise Rasmussen: H.C. Andersen: Reminiscence as Image and Echo
• Niels Ingwersen: Tall Tales on the Small Screen
• Aage Jørgensen: "What Would the Children Say...?": "The Marsh King's Daughter" Revisited
• Annelies van Hees: The Little Mermaid
• Kristi Planck Johnson: The Millenium: Vision Leads to Travel
• Inger Lise Jensen: Why Are There So Many Interpretations of H.C. Andersen's "The Shadow"?

Bogen er udgivet af Brigham Young University, Syddansk Universitetsforlag ( www.universitypress.dk ) og H.C. Andersen-Centret i forening. 294 sider, 348,00 kr.

Hees, Annelies van, "Shadow or Double. A Tale by Hans Christian Andersen". I: Federico Pereira (red.), Twentieth International Conference on Literature and Psychoanalysis. Greenwich (London), England, July 4-5, 2003 . Istituto Superior de Psicologia Aplicada, Lisbon 2005. Pp. 29-33.

(Bibliografisk kilde: HCAH)

Skyggespil : skygge og lys i samtidskunsten : en hommage til Hans Christian Andersen udgivet af Kunsthallen Brandts klædefabrik ; med essays af Roberto Casati ... [et al.] = Schattenspiel : Schatten und Licht in der zeitgenössischen Kunst : eine Hommage an Hans Christian Andersen / herausgegeben von Kunsthallen Brandts klædefabrik ; mit Essays von Roberto Casati ... [et al.] = Shadow play : shadow and light in contemporary art : a homage to Hans Christian Andersen / edited by Kunsthallen Brandts klædefabrik ; with essays by Roberto Casati ... [et al.]. Heri pp 49-72: Jørgen Dines Johansen: "Vrængbillede, Skyggen - et Anti-eventyr. / Ein Zerbild - der Schatten - ein Anti-Märchen / A caricature - the Shadow - an Anti-fairy-tale." Book in German, Danish, English, 2005.

(Bibliografisk kilde: HCAH)

Kyoichi Murakami, prof. inphilosophy, Hosei University, Tokyo: An admiration for H.C. Andersen's Fairy Tale 'The Shadow' in "the Tosho" published by Iwanami-shoten in Japan.

(Bibliografisk kilde: HCAH)

Dymel-Trzebiatowska, Hanna & Ewa Mrozek-Sadowska (red.), Basnie Hansa Christiana Andersena w Europie – Europa w baµniach Hansa Christiana Andersena. Artykuly z konferencji zorganizowaney przez Katedrê Skandynawistyki Uniwersytetu Gdañskiego oraz Referat Funduszy Europejskich Urzêdu Meejskiego w Gdañsku, 20-21 maja 2005 / Hans Christian Andersen's Fairytales in Europe and Europe in Hans Christian Andersen's Fairytales. Articles from the Conference Organized by the Scandinavian Department at University of Gdañsk and the European Funds Department of the City Hall of Gdañsk, May 20-21, 2005. Nordicum, Gdañsk 2006. 170 s. (Omslagstitel: Andersen 200 lat / Andersen 200 years.) Indhold (titlerne anføres hér kun på engelsk): PEER E. SØRENSEN, "Linguistic Heartache. On Childishness and Adulthood in Hans Christian Andersen's Fairy Tales", pp. 13-28; PER KROGH HANSEN, "Told for Children (but to be Read by Adults!). On the Narration in Hans Christian Andersen's Fairy Tales", pp. 29-44; LARS-ÅKE SKALIN, "Secularization as a Threat to the Fairy Tale. Reflections on a Theme in Hans Christian Andersen's Works", pp. 45-60; ELISABETH OXFELDT, "Life and Death in 'The Little Mermaid'", pp. 61-80; JØRGEN VEISLAND, "Archetype, Narration and Transformation in Hans Christian Andersen's 'The Snow Queen' and 'The Shadow'", pp. 81-88; MONIKA POMIRSKA, "Crossing the Borders. The Experience of Initiation in H.C. Andersen's Fairy Tales 'The Snow Queen' and 'The Ice Maiden'", pp. 89-98; GERTRUDA SKOTNICKA, "The Reception of Hans Christian Andersen's Fairy Tales in Poland", pp. 99-115; HANNA DYMEL-TRZEBIATOWSKA, "Through the Prism of Translation. An Implicit Reader in Polish Translations of Hans Christian Andersen's Tales", pp. 116-29; EWA MROZEK-SADOWSKA, "'The Emperor's New Clothes'. Polish Illustrations of a Danish Fairy Tale", pp. 130-50; MALGORZATA BODUCH, "H.C. Andersen's Fairy Tales in the Theatre Miniatura in Gdańsk 1981-2002", pp. 151-65.)

Mylius, Johan de, Aage Jørgensen & Viggo Hjørnager Pedersen (red.), Hans Christian Andersen. Between Children's Literature and Adult Literature. Papers from the Fourth International Hans Christian Andersen Conference 1 to 5 August 2005. Issued by The Hans Christian Andersen Center, University of Southern Denmark, Odense. 2007. 639 s.
(Indhold: [Plenary Lectures:] Carola Scanavino, "Caught Between Heaven and Hell. The Two Faces of Hans Christian Andersen", s. 13-22; Erik M. Christensen, "The Queen and I", s. 23-36; Hans Kuhn, "Andersen's Poems for and about Children", s. 37-51; Johan de Mylius, "Death and The Child", s. 52-70; Kirsten Malmkjær, "The Language that Stayed at Home. Hans Christian Andersen's Ways with Words", s. 71-87; Marianne Stecher-Hansen, "Romantic and Modern Metatexts. Commemorating Andersen and the Self-Referential Text", s. 88-100; Maria-Sabina Draga Alexandru, "'Out of a Swan's Egg'. Metamorphosis in Hans Christian Andersen's Tales and in 'The Fairy Tale of My Life'", s. 101-18; Andrey Korovin, "Chronotope of Hans Christian Andersen's Fairy Tales and Stories", s. 119-30; Martin Lotz, "The Shepherdess and the Chimney Sweep", s. 131-48. [Culture, Travels and Biography:] Hans Christian Andersen, "Hans Christian Andersen Tourist? An Investigation of Etymology, Social History and Ideology", s. 149-65; Annelies van Hees, "Hans Christian Andersen Was No Hypochondriac, He Was Ill", s. 166-73; Nina Hintz, "Hans Christian Andersen's View of the Orient and His Dealing with Otherness", s. 174-88; Lars Bo Jensen, "Children and Moods in Hans Christian Andersen's Travel Books", s. 189-98; Aage Jørgensen, "Hans Christian Andersen between Rootedness and Modernity, with Special Reference to His Fairy Tale 'The Dryad'", s. 199-215; Lone Funch Kofoed, "Shadow Pictures – Truth or Tale", s. 216-24. [Medias and Reception:] Zbigniew Baran, "Encyclopaedic 'Portraits' of Hans Christian Andersen in Contemporary Polish Encyclopaedias and Lexicons", s. 225-36; Silvestras Gaiziûnas, "The Motif of Mermaid in Baltic Literatures (Karlis Skalbe, Maironis, Leons Briedis, Aspazija, Kazys Puida, Violeta Palcinskaité)", s. 237-43; Elizaveta Isaeva, "Hans Christian Andersen and Evgeny Shwartz — Means of Reinterpretation", s. 244-49; Rossitsa Minovska-Devedzhieva, "Hans Christian Andersen in Puppet Theatre", s. 250-62; Elisabeth Oxfeldt, "Life and Death in 'The Little Mermaid'. Three Contemporary Adaptations of Hans Christian Andersen's Fairy Tale", s. 263-74; Jacqueline Reid-Walsh, "'Everything in the Picture Book Was Alive'. Hans Christian Andersen's Strategy of Textual Animation in His Fairy Tales and the Interactive Child Reader", s. 275-89. [Translation:] Arûnas Bliûdzius, "Translations of Hans Christian Andersen in Latvian and Lithuanian (1990-2005)", s. 290-96; Lise Bostrup, "Like Roses to a Cow? Hans Christian Andersen in English Translations", s. 297-325; Anca Dumitrescu, "Hans Christian Andersen and His First Romanian Translators", s. 326-31; Ivo Holmqvist, "'Prenez garde aux enfants!' Swedish Versions and Varieties of Hans Christian Andersen's Eventyr", s. 332-42; Silvana Orel-Kos, "The Identity and Integrity of the Slovene Andersen in the Post-WW2 Period. Translation as the Right of Passage", s. 343-59; Mare Müürsepp, "Hans Christian Andersen's Fairy Tales for Estonian Readers", s. 360-68; Yoichi Nagashima, "For Adults Only", s. 369-73; Viggo Hjørnager Pedersen, "'Out in The World, Thoughts Come'", s. 374-88; Boris Zharov, "Dynamism in Perception of Hans Christian Andersen in Saint Petersburg, one of the most Andersenous Cities of the World", s. 389-97; Anette Øster, "Hans Christian Andersen's Fairy Tales – Children's Literature?" s. 398-408. [Children's Aspects:] Mogens Davidsen, "Childishness as Poetic Strategy", s. 409-25; Asta Ivanauskaité-Gustaitiene, "Father's Fault Concerning His Daughter", s. 426-42; Inger Lise Jensen, "Dream and Reality. 'The Little Match Girl' Seen in a Socio-psychological Perspective", s. 443-59; Eric J. Jones, "Hans Christian Andersen's Flair to Communicate Basic Social Skills Naturally and Imperceptibly to National and International Readers", s. 460-65; Tom Lundskær-Nielsen, "Language for Children? An Examination of the Language and Intended Readership of the Fairy Tales", s. 466-77; James Massengale, "About Little Gerda, and Her 'Moratoria'", s. 478-504; Vincent Mhlakaza, "Hans Christian Andersen's Stories. The Southern Africa Perspective", s. 505-15; Ivy York Möller-Christensen, "Hans Christian Andersen – a Young Poet? Considerations about a Textbook", s. 516-21; Inger M. Olsen, "Strong Minded and Strong Willed Girls in Hans Christian Andersen's Fairy Tales Found in 'The Snow Queen' (1844); 'The Little Match Girl' (1845); 'Clod Hans' (1855) and 'The Swamp King's Daughter' (1858)", s. 522-27; Inge Lise Rasmussen, "'The Snow Queen' by Hans Christian Andersen. 'Weltanschauung' and the Imaginative Mind", s. 528-37; Torben Weinreich, "Hans Christian Andersen – Writing for Children?" s. 538-46. [Aesthetics, Text, Analysis and Ideas:] Ejnar Stig Askgaard, "'Look! Now we'll begin. When we have got to the end of the story we shall know more than we do now'", s. 547-69; Vera Gancheva, "The Toll of Andersen's Bell. From Neo-Platonism to New Age – Ways of Understanding and Interpreting the Great Writer's Spirituality", s. 570-84; Ib Johansen, "Trivializing Trauma(s). Carnivalesque-grotesque Elements in Hans Christian Andersen's 'The Happy Family' (1847, 1848), 'Heartache' (1852), and 'The Goblin and the Grocer' (1852)", s. 585-98; Paul A. Bauer & Lone Koldtoft, "The Bed of Procrustes. An Analysis of Hans Christian Andersen's 'The Fir Tree'", s. 599-609; Cynthia Mikkelsen, "Approaching Fear in Hans Christian Andersen's Fairy Tales Through Sigmund Freud, Julia Kristeva and Melanie Klein", s. 610-24; Leander Petzoldt, "The Soul of Things. Literary Forms and Popular Motifs in the Tales of Hans Christian Andersen", s. 625-31; Margarita Slavova, "'Now Then! We Will Begin …'. Communicative Strategies in Hans Christian Andersen's Fairy Tales", s. 632-39.)

(Bibliografisk kilde: HCAH)

MIHAYLOVA, NADEZDHA (red.), [bulgarsk] / The Unknown Andersen. Department of German and Scandinavian Studies, Faculty of Classic and Modern Philologies, "St. Kliment Ohridski" University of Sofia, Sofia 2008. 430 pp. – Bidrag til international konference afholdt 4.-6. april 2005. – Indhold: [Dimensions in Time and of the Spirit:] SIMON GRABOWSKI, "H.C. Andersen and the Transcending Unity of the Oceanic Life Story", pp. 43-50; *VERA GANCHEVA, "Hans Christian Andersen and His Epoch", pp. 51-70; *BORIS MINKOV, "H.C. Andersen and the Money of the Romanticists", pp. 71-76; *ELIZARIA RUSKOVA, "H.C. Andersen as a Playwright", pp. 77-92; *NADEZHDA MIHAYLOVA, "Andersen the Poet", pp. 93-100; KARL PONTUS LINDGREN, "Andersen and Strindberg – Two Recluses from the North", pp. 101-04; *KINA KUDREVA, "The Phenomenon Andersen", pp. 105-08; *MALINKA DIMITROVA, "Andersen in the Contemporary West European Children's and Youths' Literature", pp. 109-13; *GERGANA APOSTOLOVA, "The End is Not Important", pp. 114-28; *ALBENA IVANONA, "Hans Christian Andersen in the Virtual World", pp. 129-31; ELITSA STOITSOVA, "Hans Christian Andersen and the Free Flow of Fairy Tales", pp. 132-40; *VLADIMIR STARIADEV, "Translating Andersen (a Psycholinguistic Analysis)", pp. 141-44; *ANTONIA BUCHUKOVSKA, "Linguistic Aspects of the Translation of Andersen's Fairy Tales into Bulgarian", pp. 145-49; *TANYA STOYANOVA, "Ran Bossilek and Hans Christian Andersen – Parallels in Life and Creative Dialogue", pp. 150-57; GAYANE ORLOVA, "The Image of H.C. Andersen in the Russian Press and Translations (the End of 19th – the Beginning of 20th Centuries)", pp. 158-63; SVEN HAKON ROSSEL, "Der dänische Märchendichter Hans Christian Andersen und Österreich", pp. 164-67; SARI PÄIVÄRINNE, "Hans Christian Andersen in Finland", pp. 168-76; *KIRYAK TSONEV, "From Shahrazad to the Snow Queen", pp. 177-82. [A Dane and Citizen of the World:] *ERIKA LAZAROVA, "The Traveller H.C. Andersen or the Road as a Metaphor of Life", pp. 185-203; LONE FUNCH KOFOED, "Shadow Pictures from a Journey to Harzen – Truth or Tale", pp. 204-10; ELENA BALZAMO, "H.C. Andersen's Sweden: '… Only the Minarets Are Lacking'", pp. 211-20; *ZDRAVKA HRISTOVA, "The Balkans in H.C. Andersen's Work", pp. 221-30; *BISERA DAKOVA, "The Paradoxical Narrative Perspective in H.C. Andersen's Autobiographical Work 'The Fairy Tale of My Life' (1847)", pp. 231-36; MARGARITA HRISTOVA, "A Glance at Some of the Autobiographic Works of H.C. Andersen", pp. 237-41; *KATYA KUZMOVA-ZOGRAFOVA, "The Image of the Creator between Magic and Illness", pp. 242-51; *ARCHIMANDRITE PAVEL STEFANOV, "H.C. Andersen's Religion", pp. 252-60; *TSVETANKA ELENKOVA, "The Faith in Andersen's Fairy Tales", pp. 261-64; *CLEO PROTOHRISTOVA, "Andersen's Mirrors – Epistemology and Narrativity", pp. 265-73; *ANTONIA GOSPODINOVA, "H.C. Andersen and the Fairy Tale Tradition in Northern Europe", pp. 274-81; *HRISTO STANCHEV, "Mythopoetical Aspects in 'The Little Mermaid' by H.C. Andersen", pp. 282-88; *KRASSIMIR DELCHEV, "'The Little Mermaid' by H.C. Andersen and the Nymphs in the Bulgarian Folklore", pp. 289-98. [Fairy Tales for Young and Adults:] *PETAR HADZHINAKOV, "Hans Christian Andersen – the Philosophy of the Fairy Tale", pp. 301-04; *MARGARITA TERZIEVA, "The Scientific and Technical Achievements in Andersen's Fairy Tales", pp. 305-08; *SVETLANA STOYCHEVA, "Archetypal Relativity and Personalization in Andersen's Fairy Tales", pp. 309-18; *MARGARITA SLAVOVA, "The Magic of the Kiss in the Fairy World of H.C. Andersen", pp. 319-25; *MAYA VUKOVSKA, "Are the Bad Characters in H.C. Andersen's Fairy Tales Really that Bad?", pp. 326-29; *ILIANA BENINA, "The Beautiful in H.C. Andersen's Fairy Tales", pp. 330-36; *NIKOLA BENIN, "The Image of the Death in Andersen's Fairy Tales", pp. 337-44; VLADIMIR NAYDENOV, "Five Fairy Tales by H.C. Andersen in Terms of Vladimir Propp's Morphology of the Genre", pp. 345-54; *ELENA ROUSSINOVA, "H.C. Andersen and the Education", pp. 355-62; *NADEZHDA MADOLEVA, "H.C. Andersen and 'Tiny Flower with Seven Blossoms'. Love and Wisdom, Faith and Hope", pp. 363-71; RALITSA GELEVA-TSVETKOVA, "Illustrations of Andersen's Characters in Book Design and Children's Drawings", pp. 372-77; *ELENA FURNADZHIEVA, "At an H.C. Andersen Birthday Party in Odense", pp. 378-82; VASSIL PENEV, "H.C. Andersen and Denmark between Two Epochs", pp. 383-84. Summaries and Information about the Authors, pp. 385-422. - * betyder: bulgarsk tekst.

From a Journey to the Harz Mountains, Saxon Switzerland, etc. etc. in the summer 1831. Translated by Anna Halager. Edited by Sven Hakon Rossel and Monica Wenusch. Praesens Verlag. Wien. 161 S. - Anm.: Paul Binding, Times Literary Supplement, 3 March 2012.

(Bibliografisk kilde: HCAH)

Forum for World Literature Studies (Shanghai/Wuhan/West Lafayette), 3, 2011. (Temasektion, “Hans Christian Andersen and the Fairy Tale Studies”: JØRGEN VEISLAND, “ Introduction to Topic on Hans Christian Andersen and the Fairy Tale”, p. 158; BARBARA STAWICKA-PIRECKA, “Lydia Cabrera’s African Fables from Cuba as a Text Theatre”, pp. 159-65; DOLORES BUTTRY, “Treue in Three Tales by the Brothers Grimm”, pp. 166-72; GUDLEIV BOY, “Nation Building and Folklore in Norway 1840-1905”, pp. 173-83; TOM LUNDSKÆR-NIELSEN, “The Language of Andersen’s Early Fairy Tales”, pp. 184-94; HANNA DYMEL-TRZEBIATOWSKA, “Dual or Single Address? Some Reflections on Hans Christian Andersen’s Fairy Tales in Polish Translations”, pp. 195-203; JOHANNES NØRREGAARD FRANDSEN, “The Writer of Tales. Hans Christian Andersen as a Cultural Bridge-Builder”, pp. 204-10; ANNE-MARIE MAI, “‘The Dryad’ by Hans Christian Andersen. A Fairy Tale on Modern Times and The World Exhibition of 1867”, pp. 211-19; JØRGEN VEISLAND, “The End of the Fairy Tale. Hans Christian Andersen’s ‘The Shadow’”, pp. 220-31.) online

(Bibliografisk kilde: HCAH)

FilmFyn: Presentation written for FilmFyn by 'The Hans Christian Andersen Center', Professor Johs. Nørregaard Frandsen: Motifs with great potential. Motif I: The nightingale. Motif II: The little mermaid. Motif III: Shadow of shame. Motif IV: A love story. (To inspire the making of a ground-breaking international film about a true 19th century fairy tale life: a journey which began in the poorest of childhoods and led to world wide fame. FilmFyn, feb. 2014. 12 p.

(Bibliografisk kilde: HCAH)

Monkey, vol 11, spring 2017. Haruki Murakamis: Andersen's The Shadow. Acceptance Speech of the Hans Christian Andersens Literature Award.

(Bibliografisk kilde: HCAH)