Engelsk H.C. Andersen-litteratur

Svane, Marie-Louise, "Hans Christian Andersen and the Poetics of Travel". I: Hubert Seelow (red.), Salonkultur und Reiselust. Nordische und Deutsche Literatur im Zeitalter der Romantik. Ein Symposium zum 200. Geburtstag von P. U. Kernell . Universitäts-Bund Erlangen-Nürnberg, Erlangen 2000. Pp. 139-56. (Erlanger Forschungen, A: Geisteswissenschaften, 93.)

Wullschlager, Jackie, Hans Christian Andersen. The Life of a Storyteller . Allen Lane/The Penguin Press, London 2000. Adam A. Knopf, New York; xviii, 506 pp., 24 pls. – Anm.: Brooke Allen, New York Times/Sunday's Book Review 20.5.2001; Thomas Bredsdorff, Politiken 9.12.2000; Bodil Krogh, Jyllands-Posten 10.12.2000; Alison Lurie, The New York Review of Books , XLVIII:13, 9.8.2001, pp. 4-6; B. Page, Bookseller 29.9.2000, p. 34; C. Prendergast, London Review of Books , 8.3.2001, pp. 27-28; Klaus Rifbjerg, Information, 19.6.2001. – Paperback, Penguin, London 2001.

(Bibliografisk kilde: HCAH, anm.: 2001/109)

Gold, Kari Jenson, "Grim Tales". First Things , nr. 106, okt. 2000, pp. 17-19. – Om Disney-industriel mishandling bl.a. af HCA's "Den lille Havfrue".

(Bibliografisk kilde: HCAH)

Johansen, Jørgen Dines, "The Mask of Maidenhood. Andersen's 'The Little Mermaid'". Semiotica , CXXVIII, 2000, pp. 349-57. – Forkortet/revideret version af bidrag til: Scandinavian Studies , LXVIII, 1996, pp. 203-41.

Hauberg, Finn: "The Little Mermaid. Icon and Disneyfication". Scandinavian Studies , 80, 2008, s. 437-54.

New Introduction by Naomi Lewis. Cooper Square Press, New York 2000. xx, 569 pp. 18 pl. (mellem p. 409 og p. 410). - Indledning pp. v-xi. - Teksten er et fotografisk optryk efter udgaven 1871 (Paddington Press, London); tidligere optrykt 1985.

Nikolajewa, Maria, i: Jack Zipes (red.), The Oxford Companion to FairyTales. Oxford University Press, Oxford/New York 2000. Pp 13-15. - Paperback, 2002. - Heri Maria Nikolajeva, "Hans Christian Andersen", pp. 13-15, og "Scandinavian Countries", pp. 436-44 (om HCA pp. 437-38); jf. Joan G. Haahr m.fl. om enkelteventyr pp. 300, 401-02, 417-18, 478, 496-97, 523 og 530.

Karin Jenson Gold: First Things , October 2000, no 106, pp. 17-19: The Little Mermaid.

Viggo Hjørnager Pedersen: Many English translations of Andersen's tales are influenced by previous ones. Perspectives. Studies in Translatology, 8:4, 2000, pp. 289-300.

Chen Yi-an. Fujian Teachers University, China, 2000. Paper at the Third International h.c. Andersen Conference [not included in the subsequent book, however]. 15 pages in English. 25 pages in Chinese.

(Bibliografisk kilde: HCAH)

Jackie Wullschlager: Hans Christian Andersen. The Life of a Storyteller .
Illustr., indb. m. noter, bibliografi, emne- og navneindeks. 506 sider, £ 20. The Penguin Press, London.
"Wulschlager is the first English biographer to return to original Danish sources and to have revisited the principal places where Andersen lived" (front flap). - Anm.: Thomas Bredsdorff, Politiken 9.12.2000; Tess Lewis: "A Drop of Bitterness. Andersen’s Fairy Tales”. The Hudson Review, 54, 2002, pp. 679-86.

(Bibliografisk kilde: HCAH)

Mackie, Erin, "Red Shoes and Bloody Stumps". I: Shari Benstook & Suzanne Ferriss (red.), Footnotes. On Shoes . Rutgers University Press, New Brunswick/London 2001. Pp. 233-47. - Teksten gengivet i Erik Christian Haugaards oversættelse pp. 305-10.

Viggo Hjørnager Pedersen, "Hans Christian Andersen Tradition(s) in English", i Cay Dollerup et al. (eds.): Perspectives, 8:4 (2000), Clevedon, England, Multilingual Matters, pp. 287-97.

Presented with gratitude to the Cast & Crew of 'Hans Christian Andersen' My Life as a Fairy Tale. Babelsberg July 2001. Hallmark Entertainment. Signeret af Philip Saville, David V. Picker, Paul Lowin og Davina Belling. Bagerst i bogen navneliste over medarbejderne i 'The Company'. Sort lærred med guldtryk. 105 sider.

(Bibliografisk kilde: HCAH 2005/386, 2001/12)

Johan de Mylius: H.C. Andersen. i: Factsheet in collaboration with Danmarks Nationalleksikon in Engelsk, Deutsch, Francois, Espagnol: Royal Danish Ministry of Foreign Affairs. / Königlich Dänisches Ministerium des Äusseren. / Ministére Royal des Affaires Étrangères du Danemark 7 Ral Ministerio de Asuntos Exteriores de Dinamarca. 2001.

(Bibliografisk kilde: HCAH 2001/99, 2001/103, 2001/102, 2001/98)

DUNDES, ALAN, “The Trident and the Fork. Disney’s ‘The Little Mermaid’ as a Male Construction of an Electral Fantasy”. I hans: Bloody Mary in the Mirror. Essays in Psychoanalytic Folkloristics. University Press of Mississippi, Jackson 2002. Pp. 55-75.

Friday 27 September - Sunday 6 October 2002. Filmprogramme. On the backside: Johan de Mylius: Hans Christian Andersen [about his visual crativity].

(Bibliografisk kilde: HCAH 2002/65)

Johan de Mylius: "The Unknown Hans Christian Andersen - Storyteller and Poet, also for Adults ...". I: Datskata literatura v Bulgaria - edin vek ocharovanie / Danish Literature in Bulgaria. One Century of Enchantment (ed.: Nadezhda Mihaylova), s. 27-37 (Proceedings from the Bulgarian-Danish Conference Held at "St. Kliment Ohridski" University of Sofia October 18th - 20th 2000). Sofia 2003.

Andersen, H. C. & Adolph Drewsen, Astrid Stampes Billedbog . Udg. af Odense Bys Museer ved Karsten Eskildsen. Gyldendal, København 2003. 413 pp. – Indledning pp. 9-15; noter pp. 329-70; efterskrift pp. 371-407. – Anm.: Bo Bjørnvig, Weekendavisen/Bøger 2.5.2003; Marianne Koch, Fyens Stiftstidende 26.4.2003; Lars Ole Knippel, Jyllands-Posten 2.5.2003; Helene Moe, Kristeligt Dagblad 1.5.2003; Ole Nørlyng, Berlingske Tidende 1.5.2003; Bente Scavenius, Børsen 1.5.2003; Mette Winge, Politiken 3.5.2003. - Også på engelsk: "Astrid Stampe's Picture Book".

(Bibliografisk kilde: HCAH)

Dewey, Donald, "The Little Mermaid". Scandinavian Review , 91:1, 2003, pp. 34-37. - Om Edward Eriksens skulptur.

Dewey, Donald, Scandinavian Review , 91, 2003, nr. 1, pp. 34-37. - Om Edvard Eriksens skulptur.

ŠAJDA, PETER, “Are Ecumenical Novel-Writers the Hope of Συμπαρανεκρωμενοι? A Study in Andersen’s and Kierkegaard’s Discussion on the Importance of a Life-View in the Novel”. I: Suzanna Vergouwe, m.fl. (red.), The River Book. Identity, Culture and Responsibility. BGÖI & WSCF-CESR, Bialystok 2003. Pp. 78-92.

The Stories of Hans Christian Andersen selected and translated by Diana Crone Frank and Jeffrey Frank. Including the Original Illustrations of Vilhelm Pedersen and Lorenz Frølich. Houghton Mifflin Company Boston New York. 2003. 293 p.

(Bibliografisk kilde: HCAH 2003/243)

Drengen, der havde mod til talent. Vibeke Dorph. Maersk Air Magazine, , s 22-31, jan-mar. 2003.

(Bibliografisk kilde: HCAH 2003/75)

Sondrup, Steven P. (red.), H. C. Andersen. Old Problems and New Readings . Provo, UT, 2004. vi, 294 pp. (Papers from the Third International Hans Christian Andersen Conference held at Snowbird, Utah, USA, 12-16 June 2000; published by The Hans Christian Andersen Center, The University of Southern Denmark Press, Brigham Young University.) (Indhold: Steven P. Sondrup, "Introduction", pp. 1-6; Nathaniel Kramer, "H. C. Andersen's 'Tante Tandpine' and the Crisis of Representation", pp. 7-32; James Massengale, "Ut Poesis (Picturae) Musica", pp. 33-74; Jacob Bøggild, "Ruinous Reflections. On H. C. Andersen's Ambiguous Position Between Romanticism and Modernism", pp. 75-96; Marianne Stecher-Hansen, "H. C. Andersen's 'Historien om en Moder'. Allegory and Symbol in the Danish Golden Age", pp. 97-116; Frank Hugus, "H. C. Andersen Adapts Eugène Scribe for the Danish Stage", pp. 117-44; Kim Andersen, "'Genius'and the Problem og 'Livs-Anskuelse'. Kierkegaard Reading Andersen", pp. 145-60; Johan de Mylius, "The Andersen Legacy. Georg and Edvard Brandes in Dispute on H. C. Andersen", pp. 161-74; Herbert Rowland" "The Image of H. C. Andersen in American Magazines During the Author's Lifetime", pp. 175-98; Inge Lise Rasmussen, "H. C. Andersen. Reminiscence as Image and Echo", pp. 199-214; Niels Ingwersen, "Tall Tales on the Small Screen", pp. 215-34; Aage Jørgensen, "'What Would the Children Say...?' 'The Marsh King's Daughter' Revisited", pp. . 235-58; Annelies van Hees, "The Little Mermaid", pp. 259-70; Kristi Planck Johnson, "The Millennium. Vision Leads to Travel", pp. 271-80; Inger Lise Jensen, "Why Are There So Many Interpretations of H. C. Andersen's 'The Shadow'?", pp. 281-94.)

Gaffikin, Brigid, "Material Witnesses. Hans Christian Andersen's 'Tingseventyr'and the Memories of Things". Edda , 2004, pp. 186-200.

(Bibliografisk kilde: HCAH)

Mylius, Johan de, "A Crime against Andersen?" Ny viden (udg. af Syddansk Universitet), 2004, nr. 6, p. 2.

Celenza, Anna Harwell, Hans Christian Andersen and Music. The Nightingale Revealed. Ashgate, Aldershot/Burlington 2004. xii, 269 pp. Ny udgave 2005.

Tales of Hans Christian Andersen . Transl. by Naomi Lewis. Ill. by Joel Stewart. Walker Books, London 2004. 207 pp. – Indledning pp. 6-9 (samt forbemærkninger til udgavens 13 eventyr). – Tysk udg.: Das grosse Märchenbuch, Sauerländer Verlag, Düsseldorf.

Anita L. Gambos: Children's Folklore Review, vol. 26, 2003-04, pp. 63-76.

(Bibliografisk kilde: HCAH)

Eitelgeorge, Janice S. & Nancy A. Anderson, "The Work of Hans Christian Andersen. More than just a fairy tale". Bookbird 42, 2004, nr. 3, p. 37-44.

Odin Teatret, Holstebro 2004, 63 pp. - Til forestiling baseret på HCA-tekster. Tegninger: Hans Krull. Bidrag af Torgeir Wethal, Kai Bredholt, Julia Varley, Luca Ruzza, Fabio Butera, Jørgen Anton, Thomas Bredsdorff, Eugenio Barba og Nando aviani. - Også på engelsk, fransk, spansk og tysk. Cf.: 11645

Hørup Centralskole, Sydals: 6. klasse har i et EU-projekt med titlen: "Building bridges from the past to the future" - i samarbejde med Island, Cypern og Østrig i 2004 lavet en opgave om H.C. Andersen - som også har betydning for lokalsamfundet dengang og i dag. Projektopgaven er både på dansk og engelsk. [privattryk].

(Bibliografisk kilde: HCAH)

YOLEN, JANE, The Perfect Wizard. Hans Christian Andersen. Ill. by Dennis Nolan. Dutton Children’s Books, New York 2004. 40 pp.

LEVY, MICHAEL M., “Visions of the Snow Queen”. New York Review of Science Fiction, 16, 2004, pp. 15-18.

BERING, HENRIK, “A Fairy Tale. The Life and Work of Hans Christian Andersen”. The Weekly Standard 2.2.2004, pp. 35-37.

(Bibliografisk kilde: HCAH)

Pedersen, Viggo Hjørnager, University Press of Southern Denmark, Odense 2004. 389 pp. (University of Southern Denmark Studies in Scandinavian Languages and Literatures, 64). - Disputats, forsvaret på Syddansk Universitet, Odense, 27.2.2004. - Anm.: Marianne Koch, Fyens Stiftstidende 27.2.2004. - Interviews med VHP: Kirsten Boas, Kristeligt Dagblad 14.2.2004; Anders Raahauge, Jyllands-Posten 17.2.2004. - Cf. Dan Hansen, "Grimme ællinger i H.C. Andersens eventyr", Ny Viden (udg. af Syddansk Universitet), 2004, nr. 2, pp. 11-12.

Sondrup, Steven P. (red.): H.C. Andersen. Old Problems and New Readings. Papers from the Third International Hans Christian Andersen Conference . Indlæg fra den tredie internationale HCA-konference, der blev afholdt i juni 2000 i Snowbird, Utah, USA. Bogen indeholder en introduktion, "Introduction", af redaktøren, professor Steven P. Sondrup, og 14 indlæg:

• Nathaniel Cramer: H.C. Andersen's "Tante Tandpine" and the Crisis of Representation
• James Massengale: Ut Poesis (Picturae) Musica
• Jacob Bøggild: Ruinous Reflections: On H.C. Andersen's Ambiguous Position Between Romanticism and Modernism
• Marianne Stecher-Hansen: H.C. Andersen's "Historien om en Moder": Allegory and Symbol in the Danish Golden Age
• Frank Hugus: H.C. Andersen Adapts Eugène Scribe For the Danish Stage
• Kim Andersen: "Genius" and the Problem of "Livs-Anskuelse": Kierkegaard Reading Andersen
• Johan de Mylius: The Andersen Legacy: Georg and Edvard Brandes in Dispute on H.C. Andersen
• Herbert Rowland: The Image of H.C. Andersen in American Magazines During the Author's Lifetime
• Inge Lise Rasmussen: H.C. Andersen: Reminiscence as Image and Echo
• Niels Ingwersen: Tall Tales on the Small Screen
• Aage Jørgensen: "What Would the Children Say...?": "The Marsh King's Daughter" Revisited
• Annelies van Hees: The Little Mermaid
• Kristi Planck Johnson: The Millenium: Vision Leads to Travel
• Inger Lise Jensen: Why Are There So Many Interpretations of H.C. Andersen's "The Shadow"?

Bogen er udgivet af Brigham Young University, Syddansk Universitetsforlag ( www.universitypress.dk ) og H.C. Andersen-Centret i forening. 294 sider, 348,00 kr.

Rasmussen, Harry, "Et 200 års fødsels-jubilæum". Kosmos. Martinus Kosmologi , 2005, pp. 111-18. - Engelsk oversættelse, "A 200th Birth-Jubilee", Kosmos. English Martinus Cosmology , 2005, nr. 2, pp. 2, 12-18. - Svensk oversættelse, "Ett 200-års födelsejubileum", [ Svensk ] Kosmos. Martinus Kos­mo­logi , 2005, nr. 4, pp. 111-18.

(Bibliografisk kilde: HCAH)

Synsvinkler , nr. 32, 2005; tema: “H. C. Andersen” (Dag Heede, “Indledning”, pp. 5-6; Rolf Sindø, “‘Jeg elsker Dit Hjerte meer end Din Krone’. En guldalder-fiktion i syv historier”, pp. 7-24; Thor Grünbaum, “En tur gennem det litterære rum med H. C. Andersen”, pp. 25-43; Benjamin Boysen, “Skyggens lys, lysets skygge. Om H. C. Andersens ‘Skyggen’”, pp. 44-71; Nina Dyrhoff Nyegaard, “Ægteskabelige konstellationer. ‘En Nat i Roskilde’ som nøgle til ægteskabets alternativer”, pp. 72-89; Marthe P. Hixon, “Under the Sea. American Adolescent Female Desire in ‘The Little Mermaid’”, pp. 90-106; Henrik Lübker, “Ideologisk ideologikritik - om Dag Heedes queerlæsning af H, C. Andersen”, pp. 107-19; Lars Bo Jensen, “Spektralanalyse af en spillemand. Niels Kofoed: ‘H. C. Andersen og Goethe eller Verdensåndens alfabet’ [...]”, pp. 120-25.) – Jf. Henrik Ladegård Johannesen, "En kommentar til Rolf Sindøs 'Jeg elsker Dit Hjerte meer end Din Krone'", ibid ., nr. 33, 2006, pp. 107-20.

Becker, Annesofie, Martin Christiansen & Stig Miss (red.), At skrive er en Kærligheds­hand­ling. En udstilling om H. C. Andersens erobring af skriften. København, Paris, Alexandria . Thor­valdsens Museum, København 2005. 96 pp. - Indhold bl.a.: Annesofie Becker, “Han skrev op”, pp. 14-17; “H. C. Andersens almanakker. Et udvalg”, pp. 18-27; Niels Birger Wamberg, “Menneske er man. Om H. C. Andersen og hans dagbøger”, pp. 28-39; “Uddrag af H. C. Andersens dagbøger”, pp. 40-59; Jørn Lund, “Eksemplet Andersen”, pp. 61-67; Stig Miss, “Dit Marmor-Ord er Poesie! H. C. Andersen og Bertel Thorvaldsen”, pp. 68-77; H. C. Andersen, “ABC-Bogen”, pp. 79-83. - Også på engelsk, fransk og arabisk.

Heltoft, Kjeld, Hans Christian Andersen as an Artist. Translated by David Hohnen. Christian Ejlers’ Forlag, Copenhagen 2005. 223 pp. (Også på dansk.) - Anm.: Erik Steffensen, Information 2.4.2005.

Porsmose, Erland & Susanne Thestrup Truelsen, The Funish Painters and Hans Christian An­der­sen. The Ugly Duckling and The Story of a Mother . Illustrated by Fritz Syberg and Johannes Lar­sen. Johannes Larsen Museum, Kerteminde / Faaborg Museum for Funish Art, Faaborg 2005. 127 pp. (Også på dansk: 11739

(Bibliografisk kilde: HCAH)

Zipes, Jack, Hans Christian Andersen. The Misunderstood Storyteller . Routledge, New York/London 2005. xviii, 171 pp. - Anm.: Frank Hugus, Scandinavian Studies, 78, 2006, pp. 221-24; Maria Kaliambou, Marvels & Tales. Journal of Fairy-Tale Studies, 20, 2006, pp. 272-75.

Hansen, Per Krogh & Marianne Wolff Lundholt (red.), When We Get to the End... Towards a Narratology of the Fairy Tales of Hans Christian Andersen. 2005. 390 pp. (Writings from the Center for Narratological Studies, University of Southern Denmark, 1.) (Bidrag til symposium holdt 15.-17.8.2003. "Introduction", pp. 11-23; Johs. Nørregaard Frandsen, "Opening Address from the Symposium", pp. 25-26; Ansgar Nünning, "Steps towards a Discourse-Oriented Narratology of the Fairy Tale. On the Functions of the Narrator in Hans Christian Andersen's Fairy Tales", pp. 27-51; Jørgen Holmgaard, "Narration and Narrative Techniques in Andersen's Fairy Tales", pp. 53-71; Lars-Åke Skalin, "'Out of the real grows the most wonderful tale': Extra- and Intrafictional Levels in H. C. Andersen's Storytelling", pp. 73-98; Per Krogh Hansen, "A Real Story? On Hans Christian Andersen's Sense of Narrativity and His Double Narratee", pp. 99-118; Gorm Larsen, "The Question of the Addressee and the Structure of Enunciation in Andersen's Tales. Or: Why the Fairy Tales are Not Told for Children", pp. 119-33; Marianne Wolff Lundholt, "Sympathy Structures in the Fairy Tales of Hans Christian Andersen", pp. 135-54; Greger Andersson, "Metanarrative Remarks in the Fairy Tales of Hans Christian Andersen", pp. 155-201; Marion Gymnich, "Possible-Worlds Theory as an Approach to the Dynamics of Hans Christian Andersen's Fairy Tales", pp. 203-18; Jørgen Dines Johansen, "The Split Text. Hybridization and Repetition in Andersen's 'The Dryad' (1868)", pp. 219-47; Johan de Mylius, "Time and Non-Time. On Composition and Decomposition in Hans Christian Andersen's Fairy Tales and Stories", pp. 249-65; Jacob Bøggild, "Arabesque and Allegory in H. C. Andersen's 'The Snow Queen'", pp. 267-82; Vera Nünning, "On the Rhetoric and Ethics of Andersen's Fairy Tales", pp. 283-303; Henrik Lassen, "'... from a Swedish tale by Andersen – '. 'The Little Match Girl' in America and the Topos of the Dying Child", pp. 305-80.)
Read: online

Bloom, Harold, "'Trust the Tale, Not the Teller'. Hans Christian Andersen". Orbis Litterarum , LX, 2005, pp. 397-413. - på dansk i Politiken 2. april 2005, se: 13264

(Bibliografisk kilde: HCAH)

Rowland, Herbert, "The Author's Edition of H. C. Andersen's Works. An American-Danish Collaboration". [H.C. Andersen and H.E. Scudder]. Orbis Litterarum , LX, 2005, pp. 449-76.

(Bibliografisk kilde: HCAH)

Askgaard, Ejnar Stig, Hans Christian Andersen. Odense City Museums & Grønlund's Forlag, Odense 2005. 72 pp. – På omslaget: Hans Christian Andersen 1807-1875. Eventyret om H. C. Andersen fortalt af Odense Bys Museer / The Fairy Tale of Hans Christian Andersen told by Odense City Museums.

Andersen, Hans Christian, The Nightingale . Transl. by R. P. Keigwin. Ill. By Esben Hanefelt Kristensen. Sesam, København 2005. 28 pp. – Postscript by W. Glyn Jones pp. 27-28.

Thomsen, Bjarne Thorup, "Connecting Cultures. Hans Christian Andersen as a Travel Writer". Northern Studies (Edinburgh), 39, 2005, pp. 51-69.

Berdichevsky, Norman, "Tales for All Ages. Twelve Prominent Danes Choose Their Favorite Hans Christian Andersen Stories and Tell Us Why". Scandinavian Review, LXXXXIII:2, 2005, s. 78-86. (Om Johannes Møllehaves interviewbog "Mit eventyr".)

(Bibliografisk kilde: HCAH)

Loonstra, Anneke, "Hans Christian Andersen: A Lonely Figure". Scandinavian Newsletter, nr. 11, 2005, s. 48-49. - Om HCA-børnebøger af Villy Sørensen og Johannes Møllehave.

Translated by Jean Hersholt. The Biritsh Library, London 2005. xxx, 947 pp. - Forord af Brian Alderson.

(Bibliografisk kilde: HCAH 2005/151)

8 Prints and 56 Trial Proofs. Aros/Aarhus Kunstmuseum, Århus 2005. 87 pp. - Katalog til udstilling 26.8.-30.12.2005. På dansk se: 12550

Emily Collins, Nabokov Studies, 9, 2005, pp. 77-100.

Lucky Peer, Picture Book Without Pictures, Extracts from A Poet's Bazaar. CRW Publishing, Leipzig, 2005. 584 p.

In celebration of the bicentenary of the birth of Hans Christian Andersen, a special edition of his much-loved stories has been compiled. This elegant volume, with a wealth of fully illustrated biographical information and reference material, is a stunning testament to the lasting legacy of his work. Hans Christian Andersen (1805-75) is one of the best-known storytellers of all time. He was an extraordinarily prolific and varied author whose magical stories include The Ugly Duckling, The Princess and the Pea, The Little Mermaid, The Tinderbox, The Snow Queen, The Ice Maiden, The Emperors New Clothes and many others which have become a part of folk-memory around the world. He is best known for these tales, but even these are by no means all fairy tales or ones for children. Some are straightforward fables, though he borrowed or adapted very little, most of his work being original. Together with selecting the stories, editor Charles Mosley has written a scholarly but immensely readable introduction. Detailing the prolific nature of Andersens writings, he highlights every part of his work, from fables and tales to opinion pieces and travel writings. Mosley also provides a biographical section giving details of Hans Christian Andersens life and travels, as well as sections on Andersen in art and illustration, in film, music and the stage, and even postage stamps. From his humble beginnings in a one-room house in Denmark to the end of his life, Andersens life is wonderfully chronicled.

(Bibliografisk kilde: HCAH 2005/406)

Skyggespil : skygge og lys i samtidskunsten : en hommage til Hans Christian Andersen udgivet af Kunsthallen Brandts klædefabrik ; med essays af Roberto Casati ... [et al.] = Schattenspiel : Schatten und Licht in der zeitgenössischen Kunst : eine Hommage an Hans Christian Andersen / herausgegeben von Kunsthallen Brandts klædefabrik ; mit Essays von Roberto Casati ... [et al.] = Shadow play : shadow and light in contemporary art : a homage to Hans Christian Andersen / edited by Kunsthallen Brandts klædefabrik ; with essays by Roberto Casati ... [et al.]. Heri pp 49-72: Jørgen Dines Johansen: "Vrængbillede, Skyggen - et Anti-eventyr. / Ein Zerbild - der Schatten - ein Anti-Märchen / A caricature - the Shadow - an Anti-fairy-tale." Book in German, Danish, English, 2005.

(Bibliografisk kilde: HCAH)

ALDERSON, BRIAN, “H.C. Andersen. Edging toward the Unmapped Hinterland”. The Horn Book Magazine, 81, 2005, pp. 671-76.

(Bibliografisk kilde: HCAH)

Susanne Mørup Hansen: Translations aimed at children - including high-quality adaptations and rewritings - should be taken as seriously by scholars as tradtional "philological" translations. The study examines target renditions of "Little ida's Flowers, The Nigtingale and The Red Shoes and discusses the differences between philological translations and translations for reading-aloud .... Perspectives: Studies in Translatology. 13:3, pp. 163-77. 2005.

Harold Bloom, Opinion Journal, and Wall Street Jorunal, April 20, 2005.

(Bibliografisk kilde: HCAH)

Dymel-Trzebiatowska, Hanna & Ewa Mrozek-Sadowska (red.), Basnie Hansa Christiana Andersena w Europie – Europa w baµniach Hansa Christiana Andersena. Artykuly z konferencji zorganizowaney przez Katedrê Skandynawistyki Uniwersytetu Gdañskiego oraz Referat Funduszy Europejskich Urzêdu Meejskiego w Gdañsku, 20-21 maja 2005 / Hans Christian Andersen's Fairytales in Europe and Europe in Hans Christian Andersen's Fairytales. Articles from the Conference Organized by the Scandinavian Department at University of Gdañsk and the European Funds Department of the City Hall of Gdañsk, May 20-21, 2005. Nordicum, Gdañsk 2006. 170 s. (Omslagstitel: Andersen 200 lat / Andersen 200 years.) Indhold (titlerne anføres hér kun på engelsk): PEER E. SØRENSEN, "Linguistic Heartache. On Childishness and Adulthood in Hans Christian Andersen's Fairy Tales", pp. 13-28; PER KROGH HANSEN, "Told for Children (but to be Read by Adults!). On the Narration in Hans Christian Andersen's Fairy Tales", pp. 29-44; LARS-ÅKE SKALIN, "Secularization as a Threat to the Fairy Tale. Reflections on a Theme in Hans Christian Andersen's Works", pp. 45-60; ELISABETH OXFELDT, "Life and Death in 'The Little Mermaid'", pp. 61-80; JØRGEN VEISLAND, "Archetype, Narration and Transformation in Hans Christian Andersen's 'The Snow Queen' and 'The Shadow'", pp. 81-88; MONIKA POMIRSKA, "Crossing the Borders. The Experience of Initiation in H.C. Andersen's Fairy Tales 'The Snow Queen' and 'The Ice Maiden'", pp. 89-98; GERTRUDA SKOTNICKA, "The Reception of Hans Christian Andersen's Fairy Tales in Poland", pp. 99-115; HANNA DYMEL-TRZEBIATOWSKA, "Through the Prism of Translation. An Implicit Reader in Polish Translations of Hans Christian Andersen's Tales", pp. 116-29; EWA MROZEK-SADOWSKA, "'The Emperor's New Clothes'. Polish Illustrations of a Danish Fairy Tale", pp. 130-50; MALGORZATA BODUCH, "H.C. Andersen's Fairy Tales in the Theatre Miniatura in Gdańsk 1981-2002", pp. 151-65.)

Symposium an den Universitäten Bon und Köln, 27.-28. Juni 2005. Lars Bo Jensen, SDU: Romantic and modern tunings in Andersen's writings. Jens Hougaard, AU: 'Die kleine Meerjungfrau' und das Leben unter Wasser. Karin Hoff, Bonn: Inszenierung des Anderen - Andersens Drama 'Der Mulatte'. Jakob Jørgensen, Bonn: Erbsen und Goldhörner - "Die Prinzessin auf der Erbse" als Oehlenschläger-Parodie.Marie-Louise Svane, Kbh.: Andersen und der Orient. Über Andersens Reisebuch 'Eines Dichters Basar'. Thomas Seiler, Köln: Gjemt (men ikke glemt! Zur Funktion des poetischen Errinerns in der dänsichen und deutschen Romantik. Søren Baggesen: Vom "Trollhättan" des Berggeistes zum "Kalifornien der Poesie". Andersens Reisebuch "In Schweden".

Hees, Annelies van, “Two Lives of Hans Christian Andersen”. Scandinavian Newsletter. A Literary and Cultural Magazine (Groningen), nr. 11, 2005, pp. 36-37. - Om Jens Andersens og Jackie Wullschla­gers biografier.)

(Bibliografisk kilde: HCAH)

Pedersen, Viggo Hjørnager, "De grimme ællinger? H. C. Andersens eventyr på engelsk". I: Dorthe Duncker (red.), Studier i Nordisk 2004-2005. Selskab for Nordisk Filologi. Foredrag og årsberetning. 2006. Pp. 103-11.

Cappelørn, Niels Jørgen, Hermann Deuser & K. Brian Söderquist (red.), Kierkegaard Studies. Yearbook 2006. Walter de Gruyter, Berlin/New York, 2006. 399 pp. – Heri bl.a.: Joseph Kosuth, "'Recognizable Differences'. Andersen and Kierkegaard", pp. 1-7; Bruce H. Kirmmse, "'Sympathetic Ink' – The Sniveler and the Snail. Andersen and Kierkegaard in Golden Age Denmark", pp. 8-21; Johan de Mylius, "Offenbare und Unsichtbare Schrift in Sören Kierkegaards 'Aus eines noch Lebenden Papieren'", pp. 22-37; Joseph Westfall, "'A Very Poetic Person in a Poem'. Søren Kierkegaard on Hans Christian Andersen and Becoming an Author", pp. 38-53; Karl Verstrynge, "'The Art in All Communication'. Kierkegaard's View of 'Essential Authorship', 'Essential Knowing' and Hans Christian Andersen's Skills as a Novelist", pp. 54-67; Jacob Bøggild, "Reflections of Kierkegaard in the Tales of Hans Christian Andersen", pp. 68-82; Joakim Garff, "Andersen, Kierkegaard – and the Deconstructed 'Bildungsroman'", pp. 83-99; Nina Christensen, "What is a Child? Childhood and Literature for Children in Selected Texts by Søren Kierkegaard, Hans Christian Andersen, and Their Contemporaries", pp. 148-64.

Houe, Poul, "Hans Christian Andersen's Andersen and the Andersen of Others. On Recent Andersen Literature. A Review Article". Orbis Litterarum , LXI, 2006, pp. 53-80.

(Bibliografisk kilde: HCAH)

Dehlholm, Kirsten, "Plastic Storks, Panoramas and Polyphony. About the Creation of Hotel Pro Forma's performance 'I Only Appear to Be Dead'". The Open Page (Holstebro), nr. 11, 2006, pp. 87-94. – Om HCA-teaterstykke.

Rowland, Herbert, More than Meets the Eye. Hans Christian Andersen and Nineteenth-Century American Criticism . Fairleigh Dickinson University Press, Madison/Teaneck 2006. 274 pp. - Tre kapitler behandler anmeldelserne af "The Longer Prose" (pp. 29-56), "The Autobiography" (pp. 57-79) og "The Fairy Tales and Stories" (pp. 80-104). Et kapitel (pp. 105-45) behandler "The General Interest Articles", cf. p. 157 ndf. Endelig er et kapitel (pp. 146-89) helliget Horace E. Scudder, hvis tre HCA artikler er omtalt.

Nunnally, Tiina, World Literature today, 80, 2006, nr. 5, pp. 38-42.

Pedersen, Viggo Hjørnager, Essays on Literature and Translation. 2006. 172 s. (POET/Publications On English Themes, 30.) (Heri bl.a.: "Translation or Paraphrase? An Evaluation of Various Versions of 'The Tinder Box', 'The Ugly Duckling' and 'The Little Mermaid'", s. 30-52 [1990]; "A Critical Edition of Hans Christian Andersen?", s. 70-80 [1987]; "The Hans Christian Andersen Tradition(s) in English", s. 81-95 [2001]; "Ideology in the Works of Hans Christian Andersen", s. 117-37 [1995]; "From the Flying Trunk to the Celestial Omnibus. Hans Christian Andersen's Influence on the English Kunstmärchen", s. 138-59 [2003]; "A Mermaid in Disneyland", s. 160-68 [2001].)

Marven, Lyn, "'Nur manchmal mussten sie laut und unverhofft lachen'. Kerstin Hensel's Use of Märchen". I: Heike Bartel & Elizabeth Boa (red.), Pushing at Boundaries. Amsterdam, 2006. S. 135-49. (German Monitor, 64.) (KH, f. 1961; hendes "Des Kaisers Rad" parodierer "Keiserens nye Klæder" (s. 138-40).)

Oxfeldt, Elisabeth, "Life and Death in 'The Little Mermaid'. Three Contemporary Adaptations of Hans Christian Andersen's Fairy Tale". Animation Journal, 2006, 14, s. 4-25.

(Bibliografisk kilde: HCAH)

Stougaard-Nielsen, Jakob, "The Idle Spectator. Hans Christian Andersen's Dryaden (1868), Illustreret Tidende, and the Universal Exposition". Scandinavian Studies, LXXXVIII, 2006, s. 129-52.

Thomsen, Bjarne Thorup, "The Orient According to Hans Christian Andersen. Conceptions of the East in 'En Digters Bazar'". I: Der Norden im Ausland – das Ausland im Norden. Formung und Transformation von Konzepten und Bildern des Anderen vom Mittelalter bis heute. 25. Tagung der IASS (International Association for Scandinavian Studies) in Wien, 2.-7.8.2004. Praesens Verlag, Wien 2006. Pp. 675-83. (Wiener Studien zur Skandinavistik, 15.)

Hyner, Bernadette, Germanic Notes and Reviews, 37, 2006, pp. 35-50.

(Bibliografisk kilde: HCAH)

PORSDAM, HELLE (red.), Copyright and Other Fairy Tales. Hans Christian Andersen and the Commodification of Creativity. E. Elgar, Cheltenham/Northampton 2006. vi, 172 pp. – Heri bl.a.: HELLE PORSDAM, "Introduction: Hans Christian Andersen, Best of Story Tellers", pp. 1-14; STINA TEILMANN, "On Real Nightingales and Mechanical Reproductions", pp. 24-39; FIONA MACMILLAN, "What Might Hans Christian Andersen Say about Copyright Today?" pp. 83-107; MICHAEL BLAKENEY, "Hans Christian Andersen and the Protection of Traditional Cultural Expressions", pp. 108-28. – Jf. index, p. 165.

Jack Zipes: Marvels & Tales, Volume 20, Number 2, 2006. Special Issue: Guest Editor: Andrea Immel.

Pp. 155-65: Diana Frank and Jeffrey Frank: On Translating Hans Christian Andersen.
Pp 166-78: Johan de Mylius: Our time is the time of the fairy tale. Hans Christian Andersen between Traditional Craft and Literary modernism.
Pp 179-92: Julia Briggs: A Liberating Imagination: Andersen in England.
Pp 193-207: Namoi Wood: The Ugly Duckling's Legacy: Adulteration, Contemporary Fantasy, and the Dark.
Pp. 208-23: Hans Heino Ewers: H.C. Andersen as Seen by Critics of German Children's Literature since the Beginning of the Twentieth Century.
Pp. 224-37: Jack Zipes: Critical Reflections about Hans Christian Andersen, the Failed Revolutionary.
Pp 238-48: Jane Yolen: From Andersen On: Fairy Tales Tell Our Lives.
Pp. 249-56: Mikhail Bagaril: Migratory Birds: Illustrating Andersen's "Nightingale".

(Bibliografisk kilde: HCAH)

Christensen, Nina, "Told for Children? Hans Christian Andersen's Fairy Tale and their Audiences". I: Clare Bradford & Valerie Coghlan (red.), Expectations and Experiences. Children, Childhood and Children's Literature. Pied Piper, Shenstone, 2007. S. 202-09.

Burke, Sandra, Up From the Sea. A Jungian Interpretation of "The Little Mermaid". Ph.D.-thesis, Pacifica Graduate Institute, 2007. vii, 210 s. (Jf. DAI 68B, s. 2640.)

Edgecombe, Rodney Stenning, "An Andersen Letter and 'Don Giovanni'". Germanic Notes and Reviews, 38:1, 2007, s. 39-42.

(Bibliografisk kilde: HCAH)

Fricker, Karen, "Cultural Relativism and Grounded Politics in Robert Lepage's 'The Andersen Project'". Contemporary Theatre Review, 17, 2007, s. 119-41.

Ingwersen, Niels, "Andersen after 2005: Will It Ever End? On Four Recent Volumes on the Tales of Hans Christian Andersen". Scandinavian Studies, 79, 2007, s. 489-510.

Mylius, Johan de, "Religious Views in Hans Christian Andersen's Works – and their Literary Implications". Orbis Litterarum, LXII, 2007, s. 23-38.

(Bibliografisk kilde: HCAH)

Scandinavica, 46:2, 2007: Special Issue on Hans Christian Andersen. New Approaches (guest editors: Hans-Christian Andersen & Bjarne Thorup Thomsen); s. 131-254. (Indhold: "Introduction", s. 131-32; SVEN HAKON ROSSEL, "Hans Christian Andersen and the Other Arts. The Birth of a Realist", s. 133-54; DAG HEEDE, "The Dead Woman in the Works of Hans Christian Andersen", s. 155-74; BJARNE THORUP THOMSEN, "Contesting the Novel. Andersen and the Challenges of Criticism, with Particular Reference to 'De to Baronesser'", s. 175-94; HANS-CHRISTIAN ANDERSEN, "Ways to the World. Travelling With Andersen Through Published Sources", s. 195-211; TOM LUNDSKÆR-NIELSEN, "'Love is a Many Splendored Thing'. On the Treatment of Love in Hans Christian Andersen's Fairy Tales", s. 213-35; VIGGO HJØRNAGER PEDERSEN, "Andersen for Adults. The Forgotten Stories", s. 237-54.)

Weitzman, Erica, "The World in Pieces. Concepts of Anxiety in H. C. Andersen's 'The Snow Queen'". MLN / Modern Language Notes, 122, 2007, s. 1105-23.

Mylius, Johan de, Aage Jørgensen & Viggo Hjørnager Pedersen (red.), Hans Christian Andersen. Between Children's Literature and Adult Literature. Papers from the Fourth International Hans Christian Andersen Conference 1 to 5 August 2005. Issued by The Hans Christian Andersen Center, University of Southern Denmark, Odense. 2007. 639 s.
(Indhold: [Plenary Lectures:] Carola Scanavino, "Caught Between Heaven and Hell. The Two Faces of Hans Christian Andersen", s. 13-22; Erik M. Christensen, "The Queen and I", s. 23-36; Hans Kuhn, "Andersen's Poems for and about Children", s. 37-51; Johan de Mylius, "Death and The Child", s. 52-70; Kirsten Malmkjær, "The Language that Stayed at Home. Hans Christian Andersen's Ways with Words", s. 71-87; Marianne Stecher-Hansen, "Romantic and Modern Metatexts. Commemorating Andersen and the Self-Referential Text", s. 88-100; Maria-Sabina Draga Alexandru, "'Out of a Swan's Egg'. Metamorphosis in Hans Christian Andersen's Tales and in 'The Fairy Tale of My Life'", s. 101-18; Andrey Korovin, "Chronotope of Hans Christian Andersen's Fairy Tales and Stories", s. 119-30; Martin Lotz, "The Shepherdess and the Chimney Sweep", s. 131-48. [Culture, Travels and Biography:] Hans Christian Andersen, "Hans Christian Andersen Tourist? An Investigation of Etymology, Social History and Ideology", s. 149-65; Annelies van Hees, "Hans Christian Andersen Was No Hypochondriac, He Was Ill", s. 166-73; Nina Hintz, "Hans Christian Andersen's View of the Orient and His Dealing with Otherness", s. 174-88; Lars Bo Jensen, "Children and Moods in Hans Christian Andersen's Travel Books", s. 189-98; Aage Jørgensen, "Hans Christian Andersen between Rootedness and Modernity, with Special Reference to His Fairy Tale 'The Dryad'", s. 199-215; Lone Funch Kofoed, "Shadow Pictures – Truth or Tale", s. 216-24. [Medias and Reception:] Zbigniew Baran, "Encyclopaedic 'Portraits' of Hans Christian Andersen in Contemporary Polish Encyclopaedias and Lexicons", s. 225-36; Silvestras Gaiziûnas, "The Motif of Mermaid in Baltic Literatures (Karlis Skalbe, Maironis, Leons Briedis, Aspazija, Kazys Puida, Violeta Palcinskaité)", s. 237-43; Elizaveta Isaeva, "Hans Christian Andersen and Evgeny Shwartz — Means of Reinterpretation", s. 244-49; Rossitsa Minovska-Devedzhieva, "Hans Christian Andersen in Puppet Theatre", s. 250-62; Elisabeth Oxfeldt, "Life and Death in 'The Little Mermaid'. Three Contemporary Adaptations of Hans Christian Andersen's Fairy Tale", s. 263-74; Jacqueline Reid-Walsh, "'Everything in the Picture Book Was Alive'. Hans Christian Andersen's Strategy of Textual Animation in His Fairy Tales and the Interactive Child Reader", s. 275-89. [Translation:] Arûnas Bliûdzius, "Translations of Hans Christian Andersen in Latvian and Lithuanian (1990-2005)", s. 290-96; Lise Bostrup, "Like Roses to a Cow? Hans Christian Andersen in English Translations", s. 297-325; Anca Dumitrescu, "Hans Christian Andersen and His First Romanian Translators", s. 326-31; Ivo Holmqvist, "'Prenez garde aux enfants!' Swedish Versions and Varieties of Hans Christian Andersen's Eventyr", s. 332-42; Silvana Orel-Kos, "The Identity and Integrity of the Slovene Andersen in the Post-WW2 Period. Translation as the Right of Passage", s. 343-59; Mare Müürsepp, "Hans Christian Andersen's Fairy Tales for Estonian Readers", s. 360-68; Yoichi Nagashima, "For Adults Only", s. 369-73; Viggo Hjørnager Pedersen, "'Out in The World, Thoughts Come'", s. 374-88; Boris Zharov, "Dynamism in Perception of Hans Christian Andersen in Saint Petersburg, one of the most Andersenous Cities of the World", s. 389-97; Anette Øster, "Hans Christian Andersen's Fairy Tales – Children's Literature?" s. 398-408. [Children's Aspects:] Mogens Davidsen, "Childishness as Poetic Strategy", s. 409-25; Asta Ivanauskaité-Gustaitiene, "Father's Fault Concerning His Daughter", s. 426-42; Inger Lise Jensen, "Dream and Reality. 'The Little Match Girl' Seen in a Socio-psychological Perspective", s. 443-59; Eric J. Jones, "Hans Christian Andersen's Flair to Communicate Basic Social Skills Naturally and Imperceptibly to National and International Readers", s. 460-65; Tom Lundskær-Nielsen, "Language for Children? An Examination of the Language and Intended Readership of the Fairy Tales", s. 466-77; James Massengale, "About Little Gerda, and Her 'Moratoria'", s. 478-504; Vincent Mhlakaza, "Hans Christian Andersen's Stories. The Southern Africa Perspective", s. 505-15; Ivy York Möller-Christensen, "Hans Christian Andersen – a Young Poet? Considerations about a Textbook", s. 516-21; Inger M. Olsen, "Strong Minded and Strong Willed Girls in Hans Christian Andersen's Fairy Tales Found in 'The Snow Queen' (1844); 'The Little Match Girl' (1845); 'Clod Hans' (1855) and 'The Swamp King's Daughter' (1858)", s. 522-27; Inge Lise Rasmussen, "'The Snow Queen' by Hans Christian Andersen. 'Weltanschauung' and the Imaginative Mind", s. 528-37; Torben Weinreich, "Hans Christian Andersen – Writing for Children?" s. 538-46. [Aesthetics, Text, Analysis and Ideas:] Ejnar Stig Askgaard, "'Look! Now we'll begin. When we have got to the end of the story we shall know more than we do now'", s. 547-69; Vera Gancheva, "The Toll of Andersen's Bell. From Neo-Platonism to New Age – Ways of Understanding and Interpreting the Great Writer's Spirituality", s. 570-84; Ib Johansen, "Trivializing Trauma(s). Carnivalesque-grotesque Elements in Hans Christian Andersen's 'The Happy Family' (1847, 1848), 'Heartache' (1852), and 'The Goblin and the Grocer' (1852)", s. 585-98; Paul A. Bauer & Lone Koldtoft, "The Bed of Procrustes. An Analysis of Hans Christian Andersen's 'The Fir Tree'", s. 599-609; Cynthia Mikkelsen, "Approaching Fear in Hans Christian Andersen's Fairy Tales Through Sigmund Freud, Julia Kristeva and Melanie Klein", s. 610-24; Leander Petzoldt, "The Soul of Things. Literary Forms and Popular Motifs in the Tales of Hans Christian Andersen", s. 625-31; Margarita Slavova, "'Now Then! We Will Begin …'. Communicative Strategies in Hans Christian Andersen's Fairy Tales", s. 632-39.)

MYLIUS, JOHAN DE, "Our Time is the Time of the Fairy Tale. Hans Christian Andersen between Traditional Craft and Literary Modernism". Marvels and Tales, 20, 2007, pp. 166-78.

SMITH, ROBERT & HELLE NEERGAARD, "Reading the Fairy Tales of Hans Christian Andersen and the Novels of Horatio Alger as Proto-Entrepreneurial Narrative". The Bridge, 30:2, 2007, pp. 34-47.

Maria Tatar, Editor, Translator, Annotations. pp xv-xxxv: Introduction: "Denmark's Perfect Wizard. The Wonder of Wonders" by Julie K. Allen. Contents: Part I: Tales for Children. Part II, pp 379-98: Tales for Adults. Part III: Biographies. Part IV, pp. 399-410: “Andersen’s Readers”, Andersen's Readers. Part V, pp 433-49: Biblograpy. Norton, W. W. & Company, Inc., New York/London, Nov. 2007. 416 S. - Anm.: Publishers Weekly Publishers Weekly , nov. 2007; Margaret A. Chang, Massachusetts College of Liberal Arts, North Adams School Library Journal, 2008.

Alvstad, Cecilia: "Ambiguity translated for children. Andersen's 'Den standhaftige Tinsoldat' as a case in point." in: Target , 20:2, p. 222-48, John Benjamins Publishing Co. Amsterdam 2008.

Oittinen, Riita: "From Thumbelina to Winnie-the-Pooh: Pictures, Words, and Sounds in Translation." In: Meta , vol. 53, pp. 76-89, 2008.

Brandstetter, Gabriele: "Swarms and Enthusiasts. Transfers in/as Choreography." In: Parallax vol 14, no. 1, pp. 92-104. London 2008, spec. p. 99-100 - om "Sneedronningen".

Waller, Margaret, "The Emperor's New Clothes. Display, Cover-Up, and Exposure in Modern Masculinity". I: Todd W. Reeser & Lewis C. Seifert (red.), Entre hommes. French and Francophone Masculinities in Culture and Theory. Newark, 2008. S. 115-42, spec. s. 125 og 134-36.

Alvstad, Cecilia, "Illustrations and Ambiguity in Eighteen Illustrated Translations of Hans Christian Andersen's 'The Steadfast Tin Soldier'". Meta. Journal des Traducteurs/Translator's Journal, 53, 2008, s. 90-103.

(Bibliografisk kilde: HCAH)

Wells, Marie (udg.), The Discovery of Nineteenth-Century Scandinavia. Norvik Press, Norwich, 2008. 191 s. (Heri bl.a.: Hans Christian Andersen, "Hans Christian Andersen. Discovering a Copenhagen. Between Fiction and Reality", s. 147-60; Bjarne Thorup Thomsen, "A Place and a Text In-Between. 'Translation' Patterns in Hans Christian Andersen's 'I Sverrig'", s. 161-73; Elisabeth Oxfeldt, "Art and Commerce in Hans Christian Andersen's 'A Poet's Bazaar'", s. 175-88.

MIHAYLOVA, NADEZDHA (red.), [bulgarsk] / The Unknown Andersen. Department of German and Scandinavian Studies, Faculty of Classic and Modern Philologies, "St. Kliment Ohridski" University of Sofia, Sofia 2008. 430 pp. – Bidrag til international konference afholdt 4.-6. april 2005. – Indhold: [Dimensions in Time and of the Spirit:] SIMON GRABOWSKI, "H.C. Andersen and the Transcending Unity of the Oceanic Life Story", pp. 43-50; *VERA GANCHEVA, "Hans Christian Andersen and His Epoch", pp. 51-70; *BORIS MINKOV, "H.C. Andersen and the Money of the Romanticists", pp. 71-76; *ELIZARIA RUSKOVA, "H.C. Andersen as a Playwright", pp. 77-92; *NADEZHDA MIHAYLOVA, "Andersen the Poet", pp. 93-100; KARL PONTUS LINDGREN, "Andersen and Strindberg – Two Recluses from the North", pp. 101-04; *KINA KUDREVA, "The Phenomenon Andersen", pp. 105-08; *MALINKA DIMITROVA, "Andersen in the Contemporary West European Children's and Youths' Literature", pp. 109-13; *GERGANA APOSTOLOVA, "The End is Not Important", pp. 114-28; *ALBENA IVANONA, "Hans Christian Andersen in the Virtual World", pp. 129-31; ELITSA STOITSOVA, "Hans Christian Andersen and the Free Flow of Fairy Tales", pp. 132-40; *VLADIMIR STARIADEV, "Translating Andersen (a Psycholinguistic Analysis)", pp. 141-44; *ANTONIA BUCHUKOVSKA, "Linguistic Aspects of the Translation of Andersen's Fairy Tales into Bulgarian", pp. 145-49; *TANYA STOYANOVA, "Ran Bossilek and Hans Christian Andersen – Parallels in Life and Creative Dialogue", pp. 150-57; GAYANE ORLOVA, "The Image of H.C. Andersen in the Russian Press and Translations (the End of 19th – the Beginning of 20th Centuries)", pp. 158-63; SVEN HAKON ROSSEL, "Der dänische Märchendichter Hans Christian Andersen und Österreich", pp. 164-67; SARI PÄIVÄRINNE, "Hans Christian Andersen in Finland", pp. 168-76; *KIRYAK TSONEV, "From Shahrazad to the Snow Queen", pp. 177-82. [A Dane and Citizen of the World:] *ERIKA LAZAROVA, "The Traveller H.C. Andersen or the Road as a Metaphor of Life", pp. 185-203; LONE FUNCH KOFOED, "Shadow Pictures from a Journey to Harzen – Truth or Tale", pp. 204-10; ELENA BALZAMO, "H.C. Andersen's Sweden: '… Only the Minarets Are Lacking'", pp. 211-20; *ZDRAVKA HRISTOVA, "The Balkans in H.C. Andersen's Work", pp. 221-30; *BISERA DAKOVA, "The Paradoxical Narrative Perspective in H.C. Andersen's Autobiographical Work 'The Fairy Tale of My Life' (1847)", pp. 231-36; MARGARITA HRISTOVA, "A Glance at Some of the Autobiographic Works of H.C. Andersen", pp. 237-41; *KATYA KUZMOVA-ZOGRAFOVA, "The Image of the Creator between Magic and Illness", pp. 242-51; *ARCHIMANDRITE PAVEL STEFANOV, "H.C. Andersen's Religion", pp. 252-60; *TSVETANKA ELENKOVA, "The Faith in Andersen's Fairy Tales", pp. 261-64; *CLEO PROTOHRISTOVA, "Andersen's Mirrors – Epistemology and Narrativity", pp. 265-73; *ANTONIA GOSPODINOVA, "H.C. Andersen and the Fairy Tale Tradition in Northern Europe", pp. 274-81; *HRISTO STANCHEV, "Mythopoetical Aspects in 'The Little Mermaid' by H.C. Andersen", pp. 282-88; *KRASSIMIR DELCHEV, "'The Little Mermaid' by H.C. Andersen and the Nymphs in the Bulgarian Folklore", pp. 289-98. [Fairy Tales for Young and Adults:] *PETAR HADZHINAKOV, "Hans Christian Andersen – the Philosophy of the Fairy Tale", pp. 301-04; *MARGARITA TERZIEVA, "The Scientific and Technical Achievements in Andersen's Fairy Tales", pp. 305-08; *SVETLANA STOYCHEVA, "Archetypal Relativity and Personalization in Andersen's Fairy Tales", pp. 309-18; *MARGARITA SLAVOVA, "The Magic of the Kiss in the Fairy World of H.C. Andersen", pp. 319-25; *MAYA VUKOVSKA, "Are the Bad Characters in H.C. Andersen's Fairy Tales Really that Bad?", pp. 326-29; *ILIANA BENINA, "The Beautiful in H.C. Andersen's Fairy Tales", pp. 330-36; *NIKOLA BENIN, "The Image of the Death in Andersen's Fairy Tales", pp. 337-44; VLADIMIR NAYDENOV, "Five Fairy Tales by H.C. Andersen in Terms of Vladimir Propp's Morphology of the Genre", pp. 345-54; *ELENA ROUSSINOVA, "H.C. Andersen and the Education", pp. 355-62; *NADEZHDA MADOLEVA, "H.C. Andersen and 'Tiny Flower with Seven Blossoms'. Love and Wisdom, Faith and Hope", pp. 363-71; RALITSA GELEVA-TSVETKOVA, "Illustrations of Andersen's Characters in Book Design and Children's Drawings", pp. 372-77; *ELENA FURNADZHIEVA, "At an H.C. Andersen Birthday Party in Odense", pp. 378-82; VASSIL PENEV, "H.C. Andersen and Denmark between Two Epochs", pp. 383-84. Summaries and Information about the Authors, pp. 385-422. - * betyder: bulgarsk tekst.

OITTINEN, RIITA, "From Thumbelina to Winnie-the-Pooh. Pictures, Words, and Sounds in Translation". Meta. Journal des Traducteurs / Translators' Journal, 53, 2008, pp. 76-89, spec. pp. 80-81 ("Retelling Andersen").

Behind the Scenes , m. illustrationer til "The Little Mermaid" og "The Portuguese Duck", kommenteret af Kjeld Heltoft, pp 5-8 på engelsk og pp 16-19 på dansk. London 2008.

(Bibliografisk kilde: Dal)

HALLAMAA, JAANA, “The Other as Subject, or ‘The Little Mermaid’ Revisited”. I: Kees van Kooten Niekerk & Ulrik Nissen (red.), Lidenskab og stringens. Festskrift til Svend Andersen i anledning af 60 års fødselsdagen den 8. marts 2008. 2008. Pp. 97-108.

Sven Hakon Rossel, Do you know the land, where the lemon trees bloom?". Hans Christian Andersen and Italy, 2009. Intersezioni, Testi, Culture, Religioni. Dipartimento di studie storico religiosi, Edizioni Nuova Cultura - Roma 2009. xvi, 355 pp. - Anm.: Aage Jørgensen, Tijdschrift voor Skandinavistiek, 31, 2010, pp. 257-66; Anm. af: Johan de Mylius, Nordica, 27, 2010, pp. 230-32; Steven P. Sondrup, Scandinavian Studies, 82, 2010, pp. 113-15.

HAMILTON, JENNIFER, "Cold Desire. Snow, Ice and Hans Christian Andersen". I: Anthony Uhlmann, m.fl. (red.), Literature and Sensation. Cambridge Scholars, Newcastle upon Tyne 2009. Pp. 244-54.

KOLDTOFT, LONE, "Hans Christian Andersen. Andersen was Just an Excuse". I: Jon Stewart (red.), Kierkegaard and His Danish Contemporaries. Tome III: Literature, Drama and Aesthetics. Farnham/Burlington, 2009. Pp. 1-31.

MELLOR, SCOTT A., "'Hvad siger den lille Sommergjæk?' Flowers and Embedded Stories in H.C. Andersen's Tales". I: Susan Brantly & Thomas A. DuBois (red.), The Nordic Storyteller. Essays in Honour of Niels Ingwersen. Cambridge Scholars, Newcastle upon Tyne 2009. Pp. 246-63.

MATTHEW, PATRICIA A. & JONATHAN GREENBERG, "The Ideology of the Mermaid. Children's Literature in the Intro to Theory Course". Pedagogy. Critical Approaches to Teaching Literature, Language, Composition, and Culture, 9, 2009, pp. 217-33.

med decoupager af Dronning Margrethe II. Udgivet af Kristeligt Dagblads Forlag. Bogen udkom på dansk, engelsk og kinesisk. 2009. På italiensk 2012, se: 16983

(Bibliografisk kilde: HCAH: kin. 2012/10)

Ingemar Friberg. pp. 191-209, In: Cold Matters. Cultural Perceptions of Snow, Ice and Cold. Ed. Heidi Hansson and Cathrine Norberg. Northern Studies Monographs. Umeå 2009.

HEITMANN, ANNEGRET, “Perception – Representation – Reflection. H.C. Andersens’s Rome in Picture and Text”. I: Gunnar Foss & Yngve Sandhei Jacobsen (udg.), Carriages and Computers. Aesthetic Technologies in Literature from the 18th to the 21st Century. Tapir Academic Press, Trondheim 2009. Pp. 63-88.

MILLER, JENNIFER L., “No Sex in Narnia? Hans Christian Andersen’s ‘Snow Queen’ Problematizes C.S. Lewis ‘The Chronicles of Narnia’”. Mythlore. A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoetic Literature, 28:1-2, 2009, pp. 113-30.

Lyuben Zidarov, "My work on Andersen's fairy tales", ANDERSENIANA 2009 pp. 31-39.

(Bibliografisk kilde: HCAH)

Viggo Hjørnager Pedersen, Andersen and Tradition: Animal Tales and "Zaubermärchen", ANDERSENIANA 2009, pp. 83-93.

(Bibliografisk kilde: HCAH)

WILLIAMS, CHRISTY, "Mermaid Tales on Screen: 'Splash', 'The Little Mermaid', and 'Aquamarine'". I: Phyllis Frus & Christy Williams (red.), Beyond Adaptation. Essays on Radical Transformations of Original Works. McFarland, Jefferson, NC, 2010. Pp. 194-205.

Joachim Grage: Pp. 175-188: ... 'Only a Fiddler' and 'Lucky Peer also contain intermedial references through with the works' metareferential character is established. These novels are characterised by their manifold references to music .... In: Self-Reference in Literature and Music. Ed. by Walter Bernhart and Werner Wolf. Amsterdam/New York 2010 (Word and Music Studies 11).

(Bibliografisk kilde: HCAH)

CARBONE, ELETTRA, “Renzo and Lucia at Det Kongelige Teater. From Alessandro Manzoni’s novel ‘I promessi sposi’ (1827) to Hans Christian Andersen’s operetta ‘Brylluppet ved Como-Søen’ (1849)”. I: Claes-Göran Holmberg & Per Erik Ljung (red.), IASS 2010. Översättning – adaptation, interpretation, transformation. Föredrag vid den 28:e studiekonferensen i International Association of Scandinavian Studies (IASS) i Lund 3–7 augusti 2010. online

While global problems of poverty, inequality, and social upheaval are on the increase, the language used by development agencies and development experts sounds increasingly radical and idealistic. New socio-political conditions have been borrowed from real contexts in the South, only to be re-imposed on Southern 'partners'. Notions like empowerment, participation, and governance are paradoxically enforced through top-down, external intervention. Hans Christian Andersen's parable of the Emperor's new clothes highlights the illusory nature of this re-packaging of development policies in the 1990s. One major difficulty is that micro- and meso-level socio-political conditionalities remain subordinated to macro-level economic liberalisation. They look participatory from a distance, but at close quarters these measures have effectively become new forms of management and control, which are just as costly [as the old methods] but do not result in great benefits to project participants. (Craig and Porter 1997:50, commenting on the current vogue for mainstreaming of participation in development projects) Beautiful images of the high goals of the official development discourse and deep internal turbulence were clearly interdependent [but] contradictions between the discourse of goals and means and what is actually being achieved may not be visible any more. (Quarles van Ufford 1995:4, 12-13, 14) Development in Practice, 9:4, pp. 382-95.

With illustrations by Edmund Dulac. London [1911].

(Bibliografisk kilde: Bredsdorff)

Claire Tomalin. Penguin/Viking, 576 p. London, 2011. [HCAs 2. besøg, 1857, omtales på ½ side]. - Anm.: Per Theil, Politiken , 29.12.2011.

Fairytales about Faith and Hope. Illustrated by Britta Routhier. Translated by W. Glyn Jones.
Contents: Introduction by W. Glyn Jones, The Garden of Eden, The Evil Prince, The Angel, The Bell, The Story of a Mother, Judgement Day, A Leaf from Heaven, The Marsh King's Daughter, Something, The Girl who Trod on the Loaf, The Child in the Grave, Pen and Inkwell, The Most Incredible Thing, The Cripple.
Bostrup Publishers, Copenhagen, 2011. 127 p.

From a Journey to the Harz Mountains, Saxon Switzerland, etc. etc. in the summer 1831. Translated by Anna Halager. Edited by Sven Hakon Rossel and Monica Wenusch. Praesens Verlag. Wien. 161 S.

(Bibliografisk kilde: HCAH)

MORRISON, MARIA KARLEEN, Telling Tales. Dying for a Happy Ending. ProQuest Dissertation Publishing, Ann Arbor 2011. 292 pp. – Diss., University of Virginia, 2011. – Kapitel 2 bl.a. om Joanna Russ’ omskrivning af “Den lille Havfrue”.

WOMACK, MARIAN, “La Reina de las Nievas. Retelling Andersen as a Parable of the Spanish Republic and Desmemoria”. I hendes: Beyond the Back Room. New Perspectives on Carmen Martín Gaite. Peter Lang, New York 2011. Pp. 189-218. *

Yenika-Agbaw, Vivian: Reading Disability in Children's Literature: Hans Christian Andersen's Tales. Journal of Literary & Cultural Disability Studies; 2011, Vol. 5 Issue 1, p91-108, 18p

(Bibliografisk kilde: HCAH)

Forum for World Literature Studies (Shanghai/Wuhan/West Lafayette), 3, 2011. (Temasektion, “Hans Christian Andersen and the Fairy Tale Studies”: JØRGEN VEISLAND, “ Introduction to Topic on Hans Christian Andersen and the Fairy Tale”, p. 158; BARBARA STAWICKA-PIRECKA, “Lydia Cabrera’s African Fables from Cuba as a Text Theatre”, pp. 159-65; DOLORES BUTTRY, “Treue in Three Tales by the Brothers Grimm”, pp. 166-72; GUDLEIV BOY, “Nation Building and Folklore in Norway 1840-1905”, pp. 173-83; TOM LUNDSKÆR-NIELSEN, “The Language of Andersen’s Early Fairy Tales”, pp. 184-94; HANNA DYMEL-TRZEBIATOWSKA, “Dual or Single Address? Some Reflections on Hans Christian Andersen’s Fairy Tales in Polish Translations”, pp. 195-203; JOHANNES NØRREGAARD FRANDSEN, “The Writer of Tales. Hans Christian Andersen as a Cultural Bridge-Builder”, pp. 204-10; ANNE-MARIE MAI, “‘The Dryad’ by Hans Christian Andersen. A Fairy Tale on Modern Times and The World Exhibition of 1867”, pp. 211-19; JØRGEN VEISLAND, “The End of the Fairy Tale. Hans Christian Andersen’s ‘The Shadow’”, pp. 220-31.) online

(Bibliografisk kilde: HCAH)

HELGASON, JÓN KARL, “Relics and Rituals. The Canonization of Cultural ‘Saints’ from a Social Perspective”. Primerjalna Književnost (Ljubljana), 34, 2011, pp. 165-89. – Om France Prešeren, HCA og Jónas Hallgrímsson.

ROTH, COLIN, “Speaking of Irony. Bournonville, Kierkegaard, H. C. Andersen and the Heibergs”. Fund og Forskning i Det kongelige Biblioteks samlinger, 50, 2011, pp. 345-70.

DOUBIVKO, LENA, “No Nailing Fins to the Floor. Ambivalent Femininities in Anna Melikian’s ‘The Mermaid’”. Studies in Russian and Soviet Cinema, 5, 2011, pp. 255-76.

Sanja Frankovic: The European Context of Children's Stories by Vladimir Nazor. Motif and Thematic Association of Nazor's Stories with the Stories of European Writers .. The Little Mermaid, The Nigtingale. New Review of Children's Literature and Librarinaship. 17:1, pp. 1-19.

Pat Stuntz, FirstCut , Guild of American Papercutters: artikel om H.C. Andersens papirklip, s. 19-23 samt bagsiden. Pennsylvania januar 2011.

(Bibliografisk kilde: HCAH)

En verdensomspændende æressag. A world-wide matter of honour. H.C. Andersen Priskomité. Oversætter Finn Hansen. Fotografer: Uffe Johansen, Steen Ewald. OAB-Tryk a/s, Odense. 120 s.
Forord (s. 5-11) af priskomiteen, Anker Boye, Brian Mikkelsen. Historien (s. 13-20), Prisen og Diplom (s. 21-23). Prismodtagere:
1996: Johannes Møllehave, Multimedia HCA;
1997: Lin Hua, Odense Teater, HCA-Festspillene;
1998: Gisela Perlet, Johan de Mylius, New York Storytelling Center;
1999: Annelies van Hees, Folketeatret, Starbright Foundation;
2000: Ghita Nørby, H.C. Andersen Paraden, Régis Boyer;
2001: Boris Diodorov, Erik Dal, Susse Wold;
2002: Den lille havfrue, Jackie Wullschlager, Kirsten Dreyer;
2003: Antanas Markuckis, Niels Oxenvad, Sonia Brandes;
2004: Dronning Margrethe, Ana Maria da Costa S. Menin, Bruno Berni;
2005: Günther Grass, Sebesjkoje specialnoje professionalnoje ved Sergej Semjonov, A. Film;
2006: Rumle Hammerich, Jens Olesen, Shi Quine;
2007: Ib Spang Olsen, Berliner Märchentage, Boguslawa Sochanska;
2008: Aage Jørgensen, Fyrtøjet - et kulturhus for børn, Enrique Bernárdez;
2009: Pia Kryger Lakha, Ljudmila Braude, John Neumeier;
2010: Kjeld Heltoft, Marc Auchet, Victory Gardens Theater,

(Bibliografisk kilde: HCAH)

Ann Todd, visits Odense, the home town of her hero Hans Christian Andersen. Liverpool Echo 2.8.2011.

Anne Klara Bom: The bronze sculpture of the Little Mermaid is a national treasure in Denmark. When the World Expo 2010 was held in Chine, the statue was moved from its original location in Copenhagen to the Danish pavilion in Shanghai. Journal of Heritage Tourism, Vol. 7, No. 4. November 2012, pp. 341-57.