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The Hans Christian Andersen Center

Abstracts for papers to be given at the IV International HCA conference

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List of abstracts for the IV International HCA conference - Hans Christian Andersen between children's literature and adult literature

Scanavino, Carola;   Plenary lecture 0   Caught between heaven and hell: the two faces of H. C. Andersen
Christensen, Erik M.;   Plenary lecture 1   The Queen and I
Kuhn, Hans;   Plenary lecture 2   Andersen's poems for and about children.
Mylius, Johan de; Docent, dr. phil.   Plenary lecture 3   The Child and Death
Malmkjær, Kirsten; Prof.   Plenary lecture 4   The Language that Stayed at Home: Hans Christian Andersen's way with words.
Stecher-Hansen, Marianne; Associate Professor, Grad   Plenary lecture 5   From Romantic to Modernist Metatexts: Commemorating Andersen and the Self-Referential Text
Korovin, Andrey V.; Ph.D, Associate professor   Plenary lecture 7   Chronotope of Andersen's Fairy Tales and Stories
Lotz, Martin; Psychiatrist, Psychoanaly   Plenary lecture 8   The Shepherdess and the Chimney Sweep in the light of psychoanalytic thinking
Andersen, Hans Christian;   Workshop I   Hans Christian Andersen as a Tourist?
Hees, Annelies van;   Workshop I   HCA was no hypochondriac: he was ill
Jensen, Lars Bo; Ph.D-studerende   Workshop I   Children and tunings in Hans Christian Andersen's travel books
Kofoed, Lone Funch; cand.mag.   Workshop I   Shadow Pictures - Truth or tale
Baran, Zbigniew; ph.d.   Workshop II   Encyclopaedic Portraits of HCA
Isaeva, Elisaveta; Professor   Workshop II   Evgeny Shwartz and H. C. Andersen
Minovska- Devedzhieva, Rossitsa; dir.   Workshop II   Hans Christian Andersen in Puppet Theatre
Reid-Walsh, Jacqui; lecturer   Workshop II   Everything in the picture book was alive
Bliudzius, Arunas; Sc.secr.   Workshop III   Publishing of H.C.Andersen's Tales in Lithuanian and Latvian
Dumitrescu, Anca; prof.dr.   Workshop III
H.C. Andersen and His First Romanian Translators
This paper aims at providing significant insights into the way in which H. C. Andersen's literary work started to be introduced by translations in the mid-19th century Romania, as well as in other regions inhabited by Romanians .References will be made to our poet G.Asachi, who made the first translations from Andersen's work, using the French versions. Thus, the poem 'The March Violet' happened to be issued in 1841, the year when the great Danish writer could see the Wallachian people and landscape during his trip on the Danube in the southern Romania. Our historical contrastive research will briefly outline the post -1874 better period for the access of Andersen's work into the Romanian space, as the literary and daily press started eagerly to translate the Danish writer's fairy tales from French, in the old Romania or from German in Transylvania.

The last part of this paper is focused on Dumitru Stancescu, who in the 19th century had the most important quantitative and qualitative contribution to providing the Romanian readers with a significant range of Andersen's fairy tales and stories, so skilfully translated that even today, after more than one century, they can compete with other more recent Romanian translations of the same texts.

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Müürsepp, Mare; PhD   Workshop III   H. C. Andersen fairy tales for Estonian readers
Pedersen, Viggo Hjørnager; Lektor, dr. phil.   Workshop III   'Out in the world, thoughts come'
Sezer, Sarap; MA   Workshop III   Turkish Translations of Andersen's Fairy Tales
Øster, Anette; forskningsassistent   Workshop III   Andersen in translation
Davidsen, Mogens;   Workshop IV   'Childishness' as Poetic Strategy
Lundskær-Nielsen, Tom; Dr., Senior Lecturer   Workshop IV   Hans Christian Andersen is famous for using language aimed at children
Massengale, James;   Workshop IV   Little Gerda's Moratoria
Mhlakaza, Vincent A.;   Workshop IV   Hans Christian Andersen in Southern Africa
Weinreich, Torben; professor   Workshop IV   Hans Christian Andersen - writing for children?
Askgaard, Ejnar; M.A.   Workshop V   On Andersen's 'The Snow Queen'
Mikkelsen, Cynthia Mikaela; postgraduate   Workshop V   The element of fear in H.C. Andersen's fairytales