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The motif Church in HCA : The Marsh King's Daughter (1858)
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The Hans Christian Andersen Center

The motif Church in HCA : The Marsh King's Daughter (1858)

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Early that fall the Viking came home with his booty and captives. Among the prisoners was a young Christian priest, one of those who preached against the northern gods. Of late there had been much talk in hall and bower about the new faith that was spreading up from the south, and for which St. Ansgarius had won converts as far north as Hedeby on the Slie. Even young Helga had heard of this faith in the White Christ, who so loved mankind that he had given His life to save them. But as far as she was concerned, as the saying goes, such talk had come in one ear and gone out the other. Love was a meaningless word to her except during those hours when, behind closed doors, she sat shriveled up as a frog. But the Viking's wife had heard the talk, and she felt strangely moved by the stories that were told about the Son of the one true God.

Back from their raid, the Vikings told about glorious temples of costly hewn stone, raised in honor of Him whose message is one of love. They had brought home with them two massive vessels, artistically wrought in gold, and from these came the scent of strange spices. They were censers, which the Christian priests swung before altars where blood never flowed, but instead the bread and wine were changed into the body and blood of Him who had given Himself for generations yet unborn.

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