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The motif Magic in HCA : The Girl Who Trod on the Loaf (1859)
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The motif Magic in HCA : The Girl Who Trod on the Loaf (1859)

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Religious motifs : Overview. Search. About religious motifs

Magic contains among others: Miraculous cure, Purification with water

Example :

So Inger put on her best dress and her fine new shoes and lifted her skirt high and walked very carefully, so that her shoes would stay clean and neat, and for that no one could blame her. But when she came to where the path crossed over marshy ground, and there was a stretch of water and mud before her, she threw the bread into the mud, so that she could use it as a steppingstone and get across with dry shoes. But just as she placed one foot on the bread and lifted the other up, the loaf sank in deeper and deeper, carrying her down until she disappeared entirely, and nothing could be seen but a black, bubbling pool! That's the story.

But what became of her? She went down to the Marsh Woman, who brews down there. The Marsh Woman is an aunt of the elf maidens, who are very well known. There have been poems written about them and pictures painted of them, but nobody knows much about the Marsh Woman, except that when the meadows begin to reek in the summer the old woman is at her brewing down below. Little Inger sank into this brewery, and no one could stand it very long there. A cesspool is a wonderful palace compared with the Marsh Woman's brewery. Every vessel is reeking with horrible smells that would turn a human being faint, and they are packed closely together; but even if there were enough space between them to creep through, it would be impossible because of the slimy toads and the fat snakes that are creeping and slithering along. Into this place little Inger sank, and all the horrible, creeping mess was so icy cold that she shivered in every limb. She became more and more stiff, and the bread stuck fast to her, drawing her as an amber bead draws a slender thread.

The Marsh Woman was at home, for the brewery was being visited that day by the devil and his great-grandmother, the latter a very poisonous old creature who was never idle. She never goes out without taking some needlework with her, and she had brought some this time. She was sewing bits of leather to put in people's shoes, so that they should have no rest. She embroidered lies, and worked up into mischief and slander thoughtless words that would otherwise have fallen harmlessly to the ground. Yes, she could sew, embroider, and weave, that old great-grandmother!

She saw Inger, then put on her spectacles and looked again at her. "That girl has talent," she said. "Let me have her as a souvenir of my visit here; she will make a suitable statue in my great-grandchildren's antechamber." And she was given to her!

Thus little Inger went to hell! People don't always go directly down there; they can go by a roundabout way, when they have the necessary talent.

It was an endless antechamber. It made one dizzy to look forward and dizzy to look backward, and there was a crowd of anxious, exhausted people waiting for the gates of mercy to be opened for them. They would have long to wait.

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