Religious motifs : Overview. Search. About religious motifs

Keywords:

Church, death

Description of this motif: Graveyards are a frequently present location in Hans Christian Andersen's fairy tales. The motif is usually not remarkably described in any way; Focus is, as one might expect, on graves, the dead, sorrow, devotion and faith. One unusual, "Gothic" romantic example is the tale about the "The Child in the Grave", in which a grieving mother goes underground at the graveyard in her longing for her late child.

Example :

When she came to, it was bright daylight, and two men were lifting her up. She was lying, not in the churchyard, but down on the seashore, where she had been digging a deep hole in the sand, and had cut her fingers on a broken glass, the stem of which was stuck in a wooden block painted blue.

Anne Lisbeth was ill; her conscience had spoken loudly to her that night, and superstitious terror had mingled its voice with the voice of conscience. She had no power to distinguish between them; she was now convinced that she had but half a soul, while the other half had been borne away by her child, away to the bottom of the ocean; and never could she hope for the mercy of God until she again possessed the half soul that was imprisoned in those deep waters.

Anne Lisbeth went home, but she was no longer the same. Her thoughts were like tangled yarn; there was only one thread that she could clearly grasp; just one idea possessed her, that she must carry the "sea ghost" to the churchyard and there dig a grave for it. Many a night they missed her from her home and always found her down by the shore, waiting for the "sea ghost." So a whole year passed, and then one night she disappeared and this time was sought in vain. All of the following day was spent in searching for her.

Toward evening, when the parish clerk entered the church to ring the bell for vespers, he found Anne Lisbeth lying before the altar. She had been here ever since dawn; her strength was nearly gone, but her eyes were bright and a faint rosy hue lighted her face; the last sunbeams shone down upon her, streamed over the altar, and glowed on the bright silver clasps of the Bible, open at this text from the Prophet Joel; "Rend your heart and not your garments, and turn unto the Lord your God." This was just by chance, said people, as so many things happen by chance.

In Anne Lisbeth's face, as the setting sun shone upon it, were peace and grace. Now she was so happy, she said. Now she had won back her soul! During the past night the spirit of her own child had been with her, and had said, "You dug but half a grave for me, but now for a year and a day you have entombed me in your own heart, and that is the only proper resting place a mother can provide for her child!" And then he had returned to her lost half soul and guided her to the church!

"Now I am in God's house!" she said. "And only there can one be happy!"

When the sun had set, the soul of Anne Lisbeth had gone way up from this earth to where there are no fears nor the troubles that we have here, even such as those of Anne Lisbeth.

Comment on this quote: Anne Lisbeths' death in the divine light of transfiguration, which is also sunlight, is a parallel to Ide's death i The Wind Tells about Valdemar Daae and His Daughters and The Girl Who Trod on the Loaf and is similar to the little mermaid's striving for the light and furthermore The Jewish Girl's baptism in fire.