Religious motifs : Overview. Search. About religious motifs

See also Intermediate state, To die and go to heaven

Description of this motif: Transformation is a core concept of Johan de Mylius' understanding of both the life and the ouevre of Hans Christian Andersen, cf. among others the book Forvandlingens pris ('The Price of Transformation', 2004). The concept does not only refer to a theme, but also to the aesthetics, in Mylius' book. The existential-religious categori transformation takes place in the moment of death, both crucial concepts in Mylius' view on the oeuvre. The concepts are elaborated in an earlier article: The Moment – a Structure of Mind and World in Hans Christian Andersen's Poetic Writings.

Example :

But we are sitting in a cozy room, before a glowing fire, and tales of olden days are being told. We hear a legend.

"By the open sea there lay a viking's grave, and on it at midnight sat the ghost of that buried hero. He had been a king, the golden crown encircling his brow. His hair fluttered in the wind, and he was clad in iron and steel. He bowed his head sorrowfully and sighed in deep grief, like an unblessed spirit.

"Then a ship came near. The men cast anchor and went on land. Among them was a scald, and he stepped forth toward the kingly form and asked, 'Why do you grieve and suffer?'

"Thereupon the dead man answered, 'No man has sung of my deeds; they are dead and gone. Song has never carried them over the lands and into the hearts of men; therefore I have no rest, no peace.'

"And he told of his work and his mighty deeds; the men of his time had known them, but not sung of them, for then there were no scalds.

"Then the old scald plucked the strings of his harp and sang of the hero – of his daring as a youth, his strength in manhood, and his great and noble deeds. At that the dead one's face brightened, like the edge of a cloud touched with moonlight; happy and blessed, the form arose in beams of glory and vanished like a trail of the northern lights. Only the green mound of turf with the stone devoid of runes remained to be seen; but over it, at the last sound of the chords, and as if it had come from the harp itself, there flew a tiny bird. It was a most beautiful songbird, with the tuneful melodies of the thrush, the throbbing melodies of the human heart, songs of home, as the bird of passage hears them. The bird flew over hill, over valley, and over forest and meadow. It was the Bird of Folklore, which never dies."