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The motif Priest in HCA : The Dryad (1868)
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The motif Priest in HCA : The Dryad (1868)

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Description of this motif: One can find several priests in Andersen's tales, but they seldomly play important roles. "A Story" (1851) stars a priest, though.

Example 1:

Everything was delightful, but most delightful when the old pastor stood there under the oak tree and talked about France and about the great deeds of men and women whose names are remembered through the ages with admiration.

Example 2:

Among the village children there was a little girl so ragged and so poor, but very pretty to look upon. She was always singing and laughing, and often tied red flowers in her black hair.

"Don't go to Paris!" said the old pastor. "Poor child, if you go there it will be the ruin of you!"

And yet she went. The Dryad often thought of her, for they had both had the same desire and yearning to see the great city.

Spring came, and then summer; autumn came, and then winter. A couple of years went by.

The Dryad's tree was bearing its first chestnut blossoms, and the birds chirped around them in the bright sunlight. A noble lady came driving along the road in a grand carriage. She herself was driving the beautiful and spirited horses, with a smartly dressed little groom sitting behind her. The Dryad recognized her; the old pastor knew her. He shook his head and said sadly, "You did go there, and it proved your ruin, poor Marie!"

"She, poor?" thought the Dryad. "No! What a change! She's dressed like a duchess; that's what she got in the city of enchantment. Oh, if only I were there in all that light and splendor!

Comment on this quote: The girl, Marie, looses her innocence in the city, and the same, though not quite with the same sexual connotations, happens to the dryad: the modern city takes away the innocence and the life of the nature-being.

Example 3:

All the clouds gathered and rose together, forming what appeared to be whole mountains; they pushed through the air and spread out over the entire countryside as far as the Dryad could see. They were heaped in mighty, rocklike, thundery-blue masses, layer on layer, high into the air. Then flashes of light shot out from them. "These are also the servants of God our Master," the old pastor had said. And then out flashed a bluish, blinding light, a blaze of lightning, which tried to rival the sun itself; it shattered the piled-up clouds.

The lightning struck down, down at the mighty old oak tree, splitting it to its very roots; the crown was shattered, the trunk torn apart. The tree crashed down and fell as if spreading itself out to receive the messenger of light. Not even the mightiest cannon could roar through the air and over the land at the birth of a king's son as did the thunder in saluting the passing of the old oak tree.

Comment on this quote: The oak tree is a tree of tradition. It grows slowly and steadily. The chestnut grows faster, and speed is a virtue of the modern times. The dryad's departure from the calm and traditional harmony of the village is predicted and marked by the death of the oak tree. It is connected with a new beginning (to the end!); "the messenger of light" speaks of something, that is similar with "the birth of a king's son".

Example 4:

"Kiss me, you cooling breeze! Give me but a single kiss!"

"Soon the sun will kiss the clouds red," said the wind, "and then you will be among the dead, gone as all this glory will be gone before the year is out. And then I can once more play with the light, loose sand in this place and blow the dust over the earth and into the air. Dust! Nothing but dust!"

The Dryad felt a terror creep over her, like a woman who, bleeding to death in the bath from a severed artery, still wishes to live, while her strength gradually leaves her from loss of blood. She rose, staggered a few steps forward, and then sank again before a little church. The door was open; a light burned on the altar, and the organ sounded. What music! The Dryad never had heard such tones before, though she seemed to hear familiar voices; they came from the depths of the great heart of creation. She thought she heard the whistling of the old oak tree; she thought she heard the old pastor speaking of the great deeds of famous men and of what a creation of God could and might give to the coming ages and thus win himself eternal life. The tones of the organ swelled and rang out; they spoke in song:

"Your desire and longing tore your roots from the place God had given them. That became your ruin, poor Dryad!"

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