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The motif Communion is a part of: Ritual

Communion contains among others: Sacrifice

See also Mass, service

Keywords:

Holy Communion, sacrament, The Lord's Supper, The Last Supper, chalice, altar

Description of this motif: Jesus initiated, according to The New Testament, this sacrament on the last night, he was together with his disciples. The communion is historically rooted in both hellenistic mystery religions' communities and in the Jewish paschal supper. The Christian thus is both a ritual, that repeats the sacrifice of Crist and gives the community common destiny with Crist in his suffering, death and ressurrection. Source: Gads religionsleksikon, 1999.

Example 1:

"Yes, indeed they shine," said Karen. As the shoes fitted Karen, the old lady bought them, but she had no idea they were red. If she had known that, she would never have let Karen wear them to confirmation, which is just what Karen did.

Every eye was turned toward her feet. When she walked up the aisle to the chancel of the church, it seemed to her as if even those portraits of bygone ministers and their wives, in starched ruffs and long black gowns-even they fixed their eyes upon her red shoes. She could think of nothing else, even when the pastor laid his hands upon her head and spoke of her holy baptism, and her covenant with God, and her duty as a Christian. The solemn organ rolled, the children sang sweetly, and the old choir leader sang too, but Karen thought of nothing except her red shoes.

Before the afternoon was over, the old lady had heard from everyone in the parish that the shoes were red. She told Karen it was naughty to wear red shoes to church. Highly improper! In the future she was always to wear black shoes to church, even though they were her old ones.

Next Sunday there was holy communion. Karen looked at her black shoes. She looked at her red ones. She kept looking at her red ones until she put them on.

Example 2:

At the church door they met an old soldier, who stood with a crutch and wore a long, curious beard. It was more reddish than white. In fact it was quite red. He bowed down to the ground, and asked the old lady if he might dust her shoes. Karen put out her little foot too.

"Oh, what beautiful shoes for dancing," the soldier said. "Never come off when you dance," he told the shoes, as he tapped the sole of each of them with his hand.

The old lady gave the soldier a penny, and went on into the church with Karen. All the people there stared at Karen's red shoes, and all the portraits stared too. When Karen knelt at the altar rail, and even when the chalice came to her lips, she could think only of her red shoes. It was as if they kept floating around in the chalice, and she forgot to sing the psalm. She forgot to say the Lord's Prayer.

Then church was over, and the old lady got into her carriage. Karen was lifting her foot to step in after her when the old soldier said, "Oh, what beautiful shoes for dancing!"

Karen couldn't resist taking a few dancing steps, and once she began her feet kept on dancing. It was as if the shoes controlled her. She danced round the corner of the church-she simply could not help it. The coachman had to run after her, catch her, and lift her into the carriage. But even there her feet went on dancing so that she gave the good old lady a terrible kicking. Only when she took her shoes off did her legs quiet down.